3.05.2013

Goddamn, that b-girl made my day!


The utterly amazing 6 year-old b-girl from the UK seen gettin' d-o-w-n in the video posted below won the hearts of the crowd and a special award for herself in the "Baby Battle" category of the Chelles Battle Pro dance competition in Paris recently. To read more about her, click here. To see even more of B-Girl Terra's spine-tingling breaking, click here.



2.18.2013

Beat Fighter II – Finister vs. Sinatra (Bang Bang)


The most unexpected song to ooze into my ears within the last few years was Phlo Finister's twenty-eleven cover of Cher's 1966 hit "Bang Bang." Written by singer-songwriter Sonny Bono, "Bang Bang (My Baby Shot Me Down)" was the second single from his then-wife's second studio album The Sonny Side of Cher. That same year, a cover was famously recorded by Nancy Sinatra for her own 1966 album How Does That Grab You?. The song was also covered twice more that year by artists Stevie Wonder and Petula Clark -- and many more times after, by artists ranging from Vanilla Fudge in 1967, Terry Reid in 1968, Frank Sinatra in 1981, and Cher again in 1987. Still, despite being one of the biggest hits for Cher, it was Nancy's haunting guitar accompanied version that has been popularized in the modern age via its fitting onscreen placement in Quentin Tarantino's Kill Bill. The Los Angeles-based R&B singer Phlo Finister does justice to "Bang Bang's" 4-decade-plus legacy by giving it a decidedly hip-hop-soul flavor for 21st century listeners. All of the really cool kids will prolly have Phlo's version and at least one of the older versions in their mp3 library.

[Press-N-Play®] Bang Bang – Nancy Sinatra
[Press-N-Play®] Bang Bang – Phlo Finister

2.03.2013

Now YOU can learn the secrets of Ninjutsu

 [Click to enlarge]

That's right, kids!

NOW YOU CAN LEARN the secret powers of the deadliest killers in the Orient.

NOW YOU CAN LEARN the simple but lethal techniques of NINJUTSU, which has been the most closely guarded of all Oriental Martial Arts!

NOW YOU CAN LEARN skills which were passed down from father to son in NINJA families who lived in remote parts of ancient Japan.

NOW YOU CAN LEARN secret techniques which were once so closely guarded that the penalty for revealing them was a gruesome death!

AND NOW, regardless of your size, strength or build, you can protect yourself and your loved ones from ANY ATTACKER under ANY CONDITIONS -- even while sleeping! That's right, kids, even while sleeping!

Through NINJUTSU you will learn to utilize and draw on the enormous physio-mental powers which now lie dormant in your own body. THE SECRETS OF NINJUTSU will show you how to take advantage of the fundamental laws of natural movements, and the all important time-lag factor, which are instrumental to the art of disappearing!

SATISFACTION GUARANTEED!!!

We're sure that you will be completely satisfied by THE SECRETS OF NINJUTSU. This manual will give you the knowledge to defend yourself and your loved ones -- and a sense of self assurance you've never had before. If dissatisfied, return it within thirty days for a refund of purchase price with no question asked.

Sorry, no C.O.D.'S

1.17.2013

Mane One asks his friends: Is "Planet Rock" a hip-hop song? Professor XXL blogs his answer

Afrika Bambaataa

"Is 'Planet Rock' a Hip Hop song? I know some might put that song in the genre, Electro, but what do you think? My friend and I have been talking about this for a few weeks now." - DJ Mane One

Note: This post is actually in response to a really good conversation starter posed by DJ Mane One on his Facebook page. The question generated several good replies, many of which match up with my own. Before including my reply there, I figured I'd post it here.
 
[Placing professorial cap on head]  Ahem.

Mane, I would have to say that "Planet Rock" could be classified as a rap record (meaning hip-hop), but also as a funk/electro-funk record. But I'll try to explain just why I think that a special exception has to be made with this song.

It's mainly because of how the public first heard "Planet Rock."

That may sound kinda wack at first, but this is what I mean. While it may have been otherwise in NY (I kinda doubt it, tho), radio stations, discos, skating rinks, etc. were only playing the b-side of "Planet Rock" when it dropped -- the instrumental version. For upwards of 2-3 years after it was released, the instrumental was all that most people heard.

Thus, outside of maybe radio and club DJs, few knew that there was a vocal/rap version. And most didn't seem to care much for it when they did finally hear it; rap was still in it's infancy in '82, though, and the rap of Afrika Bambaataa & Soul Sonic Force didn't sound like the rap of Sugar Hill Gang, Kurtis Blow, Melle Mel, and Sequence.

As for me, I think that I first heard the a-side version in early '85, when I bought a copy of "Tommy Boy's Greatest Beats." And, as much as I loved the instrumental (there were two instrumental versions being played in Chicago, one of which was a bootleg remix), I was not a fan of the vocal when I first heard it. But I quickly grew to love it.

Due to how it was most often heard by the public, particularly the listeners of R&B stations, "Planet Rock" was an electro-funk song, like "More Bounce to the Ounce." And funkadelic was clearly as much of an influence as Kraftwerk, and the very first thing that Bam says in the intro of the vocal is "Just taste the funk then hit me."

So, to be really fair, I think it's acceptable to also put "Planet Rock" in an electro-funk sub-category, as it has already been done for various record compilations. Despite my own territorial nature to classify it strictly as hip-hop, it's not. It's funk and rap. Well, rap AND funk.

– Professor XXL (aka St. Paco)

P.S. A Chicago DJ named Mike Macharello produced a bootleg remix of "Planet Rock" for WGCI, one of the city's two R&B stations on the FM dial then. Before his remix, they wouldn't even play "Planet Rock" -- but it was in the rotation for three years afterward. I have a cool memory of me, my sister and our friends dancing to it on the patio in our backyard. It's been uploaded to YKFS for your listening pleasure.

[Press-N-Play®] Planet Rock - Mike Macharello Remix 

1.01.2013

Happy New Year!

 Happy Year of the Snake (2013). 

Okay, okay. If you wanna be nerdy about it, the Year of the Dragon doesn't officially end until February, according to the Chinese calendar. But we're always ahead of our time around here, so we got Jackie Chan and Drunken Master Yuen Siu Tien (the father of Yuen Woo-ping) to get our twenty-thirteen "Year of the Snake" party started early. Shout outs to Stormko for rockin' another funky fresh seasonal postcard.

Xin Nian Kuai Le! (Happy New Year!)

12.31.2012

Celebrating 75 years of American...rap music?


"Listen close, I don't want you to miss
none of this here story, 'cause it goes like this..."

Yeah, yeah, KRS-One. The Bronx may be the birthplace of hip-hop music, but some of its precious "blueprint" appears to have come from the rugged suburbs of Virginia. That's right, Virginia. It was in the Norfolk suburb of Berkley that the gospel music act known as the Golden Gate Quartet was formed in the 'durrty' 1930s. Negro spirituals were this crew's specialty, but they were famously known for rocking the mic with a trademark brand of toe-tapping gospel, marinated in the secular styles of jazz, blues, pop and rap -- decades before rap even had a name! And to my ears, the Golden Gate Quartet's 1937 cover/remix of the Arthur Collin's song "Preacher and the Bear" seems to be one of the earliest and best examples on wax of a familiar sound that would come to revolutionize music four decades later, with the release of Sugar Hill Gang's "Rapper's Delight." Yowza! Talk about old school.

Submitted for your approval ... "Preacher and the Bear."


[Press-N-Play®] Golden Gate Quartet – Preacher and the Bear
[Press-N-Play®] Golden Gate Quartet – Mockingbird

  
Shout outs to Word Is Bond for the heads-up, and to the ever reliable Archive.org for an even better version of this song, as well as others by the Golden Gate Quartet.

12.12.2012

Twilight of the Twinkie

 Since the 1930s, the taste of Hostess snack cakes were an integral part of snack culture in America. Maybe nowhere was this more apparent than in the pages of comic books in the 1970s and '80s. In the full-page Hostess ads that were regularly featured, costumed crime-fighters relied on their wits – and the irresistible bait of Twinkies, Fruit Pies, and Cupcakes – to capture hapless bad guys. Odin only knows how many times Hostess snack cakes saved the day. And not just in the pages of comics but also in the real world, when appetites craved a cream-filled or a fruit-filled treat. In sweet remembrance of the Hostess Company, which turned off its ovens after an 80-year run in the snack business, YKFS brings you a few of those pulse-pounding pages. If you got lucky enough to get your hands on a pack of Twinkies before they were all bought up and posted on Ebay, I hope that you poured out a little milk on the curb for the dearly departed and savored every last crumb.


Click to enlarge






[Press-N-Play®] Blondie vs Fab 5 Freddy - Yuletown Throw Down (Rapture Christmas Mix)

Blondie, Fab 5 Freddy, Grandmaster Flash & friend + Chris Stein, NYC (1981)


11.17.2012

They drank Sprite and then formed like...



Although it was originally Method Man and the Wu-Tang Clan who coined the phrase "We form like Voltron," it was a different mix of hip-hop artists who starred in a series of Voltron inspired Sprite commercials in 1998. Today, we can only daydream how those TV spots might have looked – and sounded – if the RZA, Meth, Raekwon and the rest had been placed behind the controllers of Voltron's black, red, green, blue and yellow lions. Instead, but much to their credit, the marketing heads at Sprite assembled a crew of hip-hop artists who represented the East Coast (Afrika Bambaataa, Jazzy Jay, Fat Joe), West Coast (Mack 10), Northern (Common) and Southern states (Goodie Mob). The beats and rhymes were appropriately bubbly, and the campaign showed a sparkling effort by an advertiser to sample the mouth-watering flavors that can result when American hip-hop gets blended with a Japanese giant robot.

Submitted for your approval...the Sprite "Voltron" commercials.






10.28.2012

About #@$% time – The Ultra Seven Complete Series DVD box set is finally coming!!!


With the release of an über-affordable Ultraman: The Complete Series DVD collection from Mill Creek in 2009, many of us hoped that it would only be a matter of time before "Ultra Seven," the popular 1967 follow-up to "Ultraman," would also punch its way into the American marketplace. And now, according to August Ragone, author of Eiji Tsuburaya: Master of Monsters, this long hoped for collection is finally coming! December 2012 will bring fans the eagerly-awaited release of Ultra Seven: The Complete Series, a six disc collection from Shout! Factory. This striking boxed set will include all 48 episodes* of the Ultra Seven TV series in the original Japanese with English subtitles. Also included with the discs is a 24-page booklet on the making of Ultra Seven written by August Ragone, and a...special surprise bonus?! The release of Ultra Seven is slated for December 11th. Pre-orders can be placed today with the good folks over at Amazon.com($34.99 SRP). So grab a purple crayon, kiddies, scribble this baby down on your 'wishmas' list, and make sure to stay on Santa's good side from now until December 25th. If you can do that, then it's highly likely that Christmas this year will be incredibly mer–ultra.

*Batteries the controversial episode 12 ("From Another Planet With Love") not included.

10.27.2012

NOW SHOWING...

 
It's Saturday again, gang, and you know what that means? You betcha! It's time for Your Kung Fu Sucks! Grindhouse Cinemas™ to bring another installment of the Monsta Mashin' Matinee to your desktops! This month's creature feature is a showing of Korea's first entry into the daikaiju genre with the 1967 classic, Yongary: Monster from the Deep (aka Great Monster Yongary). As always, this Vintage Video™ is available as a free mp4 download courtesy of the fine folks over at Archive.org. But you're also more than welcome to watch it front-row-and-center at the YKFS blog. But do bring your own popcorn, Sno-Caps and Jujubees, please.


10.26.2012

Ghostface Killah & Adrian Younge give you "Twelve Reasons to Die"


In this hard-knock life of ours, there are three things we can always count on: death, taxes, and Ghostface Killah. And on November 20th, this ever reliable member of the Wu-Tang clan is dropping his 10th solo album, Twelve Reasons to Die. Produced in collaboration with Adrian Younge, the maestro behind the Black Dynamite soundtrack, and executive produced by Wu Abbot the RZA, you can bet your candy store money that this album will be on some next level $#@%. As such, in the direction of the next logical level, Ghostface (aka Tony Starks, aka Iron Man) is also launching a related comic book project in December! With Christmas right around the corner, the Twelve Reasons to Die album and comic book sound like they'd make great stocking stuffers for the Wu-fan who has everything–like you, me and everyone we know.

10.25.2012

Prelude to The Man with The Iron Fists - "The Encounter," narrated by the RZA

  
Eric Calderon and RZA, the creators behind the sights and the sounds of the smash hit Afro Samurai, brings to the web an artful-looking prequel to the Universal Pictures film The Man with the Iron Fists. Check out the YouTube exclusive video by clicking here.

Director: RZA 
Release: 11/2/2012 
Studio: Universal Pictures 
Website: http://www.ironfists.com