Showing posts with label Graphic Design. Show all posts
Showing posts with label Graphic Design. Show all posts

1.19.2020

The Size Of A Tiny Crater On The Moon [Hotlinked™]

Phase 2 photographed by MikaV
On December 13, 2019, I would read in the news that my hero, Phase 2 (born Michael Lawrence Marrow), had died from the quiet battle he was having with Lou Gehrig’s Disease. He was 64. 
The news left me drained. So much so that I couldn’t even write about his death. What should I say? For more than a month, my blog was silent on his passing. But then it dawned on me–finally–that everything I’d want to say was already covered in my unpublished interview questions. So I publish them here now, in fond memory of Phase 2.

3.31.2019

A super cool interview with NY graffiti & flyer legend Phase 2 in IGA Eye On Design Magazine #04

IGA Eye On Design Magazine #04

Back in October of 2018, graphic designer and teaching fellow at Maryland Institute College of Art, Jerome Harrisreached out to me after he'd happened across that little 2012 blog post I wrote on the 1980s hip-hop party flyers of legendary New York graffiti artist, designer and art historian Phase 2.

Jerome had had the honor of curating a show in September 2018 exploring the work of black graphic designers for the Maryland Institute College of Art (MICA). Phase 2's hip-hop handbills were a big part of the show and IGA Eye On Design, a handsome print mag devoted to design, asked the curator to work up a long form piece on the influential (and somewhat illusive) Phase 2.

I was kindly asked if I could be interviewed to get my thoughts on the impact of Phase 2 on graphic design, graffiti art and hip-hop culture as a whole. And I, of course, couldn’t be more pleased to get any chance to talk at length about the dude who's always been one of my biggest creative inspirations.


 eyeondesign.aiga.org

Because he'd been largely unable to pin Phase himself down for a Q&A, Jerome had also reached out to half dozen Phase 2 enthusiasts in addition to me, including Charlie Ahearn (director of Wild Style) to flesh out the piece. I was given a fairly lengthy list of questions that allowed me to cover a lot of ground...but ninety percent of it wound up on the proverbial 'cutting room floor’ when Jerome was finally contacted by the illusive subject himself!

Nonetheless, I was flattered to see that Jerome was using my earliest personal recollection of Phase 2’s impact on hip-hop culture in New York and beyond to help frame the intro of his super cool interview with Phase 2 for the March edition of Eye On Design magazineAnd I'm glad that I got the chance to be even a small part of this amazing retrospective.

Priced at $19 + shipping & handling, print editions of the gorgeous Eye on Design #04 (the "Worth" issue) are available at premier retail locations in cities across the US, Japan, the UK, Italy, Germany, China, Taiwan, and several more far flung locales. It'll also be available for digital download for only $9, at some point. But you can order a copy of the print edition today.

Oh, and if you're in Chicago and I like you like that...I may let you borrow mine. LOL

Paco Taylor, Esq.

4.10.2016

Blade: Blood War I, starring Wesley Snipes, Rihanna and Nicholas Cage...coming soon?


Um, no. #LateAprilFool's #youvebeenpunked #sorry #hahaha

Despite being a big fan of Marvel's Blade films – the first two – (as mentioned here) I was never sure that I'd make an actual Blade piece for my Marvel Blaxploitation series. As inspiration would have it, though, a vague poster concept hit from out the blue yesterday afternoon, and this morning I have a finished piece that I like quite a bit.

Can't wait to see what it looks like on paper.

10.05.2014

Survival 102: The art of a mixape cover 'remix' (Sampling Bob Marley & The Wailers)



"One good thing about music, when it hits you, you feel no pain." 
                       – Bob Marley

It was indeed a bit of...overkill to make both a front and wholly impractical back cover for the Survival 101 mixtape that was arranged and assembled by yours truly. But once the inspiration had taken hold to make a pop art-style 'remix' cover based on Neville Garrick's design for the classic Bob Marley and the Wailer's album Survival (1979), I couldn't stop until the idea was fully exhausted.

Neville Garrick's cover, which brilliantly illustrated the visionary message of "Africa Unite", the lead track on side two of the Wailer's album, featured the flags of the 41 nations that made up the African continent at that time. But it also united with those nations the flag of Papua New Guinea, one of several distant island sisters to the African continent in the South Pacific Ocean, thousands of miles away.

As a teen, when I got my first copy of the Survival LP on 12" vinyl, I knew virtually nothing at all about "PNG", beyond the very eerie fact that its inhabitants – who live on an immense landmass a few thousand nautical miles away from the continental home of my own ancestors –  somehow looked a helluva' lot like me and my 'bredren'.

As an adult, around the time that I had somehow acquired a second copy of Survival on CD, I felt both genetically and intellectually compelled to become more informed about those distant cousins who inhabit the second largest island on our planet. The process taught me much about them, but also much about the people living on neighboring islands in the region. And, in the years since, I've written a little bit about what I've learned. Someday those writings will see the light of day. But, for now, back to the making of this mixtape's front and back covers.

After deciding to make what would be an abridged remix of Garrick's inspirational piece, I began a brief study of the original Survival album. It was at this point that I learned (or became reminded) that the flag of Papua had been included in the original design, and that surprising fact only doused gasoline on the idea that burned within to make a modern remix version of the cover. But one that would have not only the flag of PNG but the other flags of Melanesia as well.

And so, along with the flag of Papua, the flag of its struggling conjoined twin sister West Papua was added. Following those, the flags of the other Melanesian islands of Vanuatu, New Caledonia (Kanaky), Fiji and the Solomon Islands were promptly applied. And with the mixtape cover quickly beginning to take proper shape, it seemed only fitting to then include the flags of the nearby Torres Strait Islands and that of the aboriginal peoples of Australia and Tasmania. For similar reasons, the flags of the neighboring Timor-Leste and Maluku Islands were added.

After the flags of the Melanesian and related nations, the flags of 16 African countries were chosen due to either historical or aesthetic reasons. These include those of Guinea and Guinea-Bissau (the West African region after which PNG was named), Ethiopia, Zaire, Kenya, Liberia, and others. The last to be added were the "red, black and green" Pan-African flag of African descendants in North America, and the flag of Jamaica, the Caribbean island birthplace of reggae music and Bob Marley.

Pleased with how the front turned out, I wasn't ready to stop. Nostalgia reminded me of how the back cover of the original Survival album had always made me feel when I looked at it;  the sense of unknown history that it hinted at and the sense of connection I somehow felt to the people in the grainy black and white photographs displayed there. And so I tried to convey a similar sense of mystery -- and history -- with old photographs showing people from Papua New Guinea (top & bottom), Fiji (left) and the Solomon Islands (right).

I hope that some of what I was trying to convey with it all somehow comes across.

From start to finish, this mixtape project was a long and gratifying labor of love. But I also had tons of help from various 'surrogates' who didn't know that they were involved. These include the previously mentioned Mr. Garrick, and the small number of bloggers and DJs whose active promotion of Pacific Island music in recent years has exposed me to several artists whose music I now treasure. So massive "big ups" specifically to Street-vibez MozikkSolomon Vibz, FreeSolomonMusic, Massive Entertainment, and the Reggae Revolution Radio Show.

I also want to say 'nuff respect and many thanks to all of the artists whose music has been featured on the Survival 101 mixtape. The intention behind this compilation is only to further promote and bring awareness to folks in America and elsewhere about this too-little-discussed part of our planet (Melanesia) and the fantastic branch of reggae that emanates from its breathtaking isles.

If you download and find yourself enjoying the tunes on this mixtape, please support those few fortunate artists whose music is available through Amazon and iTunes. In the meantime, have fun with this small sampling of what Pacific Island reggae has to offer.

Bless.

"Riddem Selekta St. Paco"

8.20.2011

Graphic Design 102: "It's Like That"



My homeboy DJ Darrell D (of the previously mentioned Jamille Records) recently asked me to do some design work for his label. The first job was a fold-out cover for the special edition version of Two-Tone's "Time to Rhyme/Jazz It Up" 7-inch vinyl record; the full piece folds out to a 22" x 14.5" poster. And the second job was for a Jamille Records promo sticker.

As you can see, the record cover (above) features a vintage photograph of the Two-Tone crew taken with one of those cheap, portable camera's that most of us had back in the day. The duo never really had a logo, so I roughed out a few designs and went with the one that I thought best reflected a crew named "Two-Tone."

The fold-out poster concept was based on something that Darrell sent me which was originally used by a UK pop duo–who shall not be named. All I will say is that it was not Wham. Since I was basically working off of a previous work, I was able to take some shortcuts on the front, hence the clip art-style images in two frames.


The dollar sign in the bottom frame was inspired by the large gold charm dangling from the chain of D.E. Fresh. Continuing with the gold theme, I added gold lightning bolts to the radio antenna. The name of the crew was also added to the cassette, but I decided that a blank tape worked best.

The front side has six sections that measure out to 7.25" x 7.25" squares, and it was a bit of a challenge initially to get the layout balanced for the actual folding. When I printed a miniature proof version, though, it came out perfectly–and that's mainly because I am a genius on the DL.

With the exception of the front and back covers, the secondary point of a production like this is the poster itself. As you can see below, another vintage Two-Tone photograph was used here, but the final version has the name of the crew in gold near the bottom right corner.


With the much bigger job out of the way, I moved on to the sticker designs. I actually wound up designing five of 'em, but I'm only posting the two primary stickers here.



As is the case with many DJs, Run-D.M.C.'s Jam Master Jay means a lot to Darrell D. Because my client is also a friend, I know that Fat Albert is his all-time favorite cartoon character. So, I went with an idea that incorporates those elements, remixed with the Def Jam Records logo. (The black bar at the bottom hints at the Run-D.M.C. logo.)

Who wudda' thunk that Fat Albert would look so fresh in a fedora? ME, that's who.

Taking the previous sticker design one step backward, it was only natural to try something using the actual Run-D.M.C. logo. Yes, I know that there have been countless permutations of this "remix" over the years, but I wasn't going to let that stop me from doing one to see how it would look.



When the layout was done, I thought that the "Jam Rec" abbreviation worked out perfectly and went ahead with it as my secondary design. D actually loved it when he saw it, and I was glad that I didn't let the fact that it's already been done deter me from what I thought spoke to Darrell D as a hardcore fan of Jam Master Jay and the Hollis Crew.

8.01.2011

The Deadly Art of Black Dynamite

On August 8th (next Monday), the pilot for Cartoon Network's Black Dynamite will air during the network's Adult Swim. To mark this righteous occasion, I've whipped together a lil' gallery of some of the super bad BD-related imagery that I've seen during my various trips down the rough-and-tumble back streets and alleyways of the internet.

Submitted for your perusal, the deadly art of...




Click any image to enlarge

David Choe


Dustin D'Arnault


Dan Barrett (WonderDookie)


"Black Dynamite vs. Sugar Hill" by Armando Zanker


Jeremy Wheeler


Jun Lofamia

"Black Dynamite Machete" by Elvin Hernandez

Unfortunately, the actual show doesn't begin airing until Spring of 2012. Based on what can be gleaned from the teaser trailer, though (uh...you have seen the teaser trailer, right?), Cartoon Network will be rewarding Black Dynamite fans handsomely for their patience.

7.02.2011

Archive #6: The Sure Shot Flyer Rockers


When I moved to AZ in the mid-1990s, I met and became fast friends with the crew behind Tempe's now gone, but legendary Style Rock Hip Hop Shop. From Kangol brims, vintage Adidas Run-DMC jerseys and suede Puma Clydes, to b-boy breaking videos, spray tips, fat laces and graffiti mags, the Style Rock Shop had it all– and had it in spades.

To promote the shop, a weekly series of handbills were made by Style Rock staffers Storm (aka Weapon X) and RobGoblen. The dynamic duo rocked these flyers under the collective moniker of Sure Shot Flyer Rockers, a name that – for folks like myself – recalled the freshness of New York's "sure shot" flyer rocking king Phase 2.

Some time back, Storm gave me a rough idea of how many of these flyers had been made over the span of a few years, but I can't recall that number now. I only collected nine of 'em, which isn't at all being said as a lament; until today I didn't recall having any at all. And even a small collection of these flyers gives a nice snapshot of a very cool time in Phoenix-metro area hip-hop.

Submitted for your perusal: the Style Rock Shop flyers.








6.23.2011

Archive #5: Versace + Madonna



Versace Presents Madonna

Exactly which mag it was that the item pictured above was removed from from I cannot say (Harper's Bazar?), but it's a fold-out folio that features five black & white photographs by photographer Steven Meisel. When it's completely unfolded, the other side reveals a full-color poster (21" x 21") featuring a really sexy shot of the material girl in a shimmery, violet-colored dress.


At the time that I was trashing the mag that this insert was in, I thought it was just too cool to discard, so it got saved to the image archive. But while I've always had an appreciation for her as an artist, I've never been a collector of Madonna-related ephemera. So this one is gonna get listed on Ebay the next time I post items. With all hope, I'll find a home for it with a big Madonna fan.

Archive #4: Fall into the Gap Magazine Ads

Miles Davis wore khakis.

Even when I think back to my teens, I don't remember ever purchasing anything from the Gap. Nonetheless, I was impressed with their 1990s ad series which featured monotone images of various pop culture figures all wearing khakis. I don't know how many of these were produced, but 15 of 'em were saved to the archive. Submitted for your perusal: the GAP Khaki ads.

Legendary

Muhammad Ali

Chet Baker

Salvador Dali

Sammy Davis Jr.

James Dean

Jack Kerouac

Elia Kazan

Carol Lombard

Steve McQueen

Arthur Miller
Andy Warhol

John Wayne


Zsa Zsa Gabor

Archive #3: Paramount Parodies


Paramount Pictures clearly knew a good thing when they saw it. So, when it came time to promote their 1992 Coneheads movie, the marketing department produced this fairly clever parody of the Gap Khaki ads. It was running in magazines at the same time the Gap khaki ads were, and made a very amusing impression. Probably a better one than the movie itself.