Showing posts with label Papua New Guinea. Show all posts
Showing posts with label Papua New Guinea. Show all posts

6.08.2015

[Press-N-Play®] OFouR – PNG Queen


Meant as a 'single' from the Survival 101 mixtape. Cross-continental shout outs to Robby-T and the rest of the team!

All songs posted to the Your Kung Fu Sucks! blog are the property of their respective copyright holders. Their use here is strictly intended for promotional and informational purposes only. NOT FOR SALE. Please support the artists featured on the YKFS blog by buying their original CDs and mp3s where and whenever applicable. Any artist who would like to have their music removed from this promotional project may do so by contacting the administrator at stpaco@gmail.com.


10.06.2014

[Destroy All Headphones™] Survival 101 Mixtape: Introduction to Pacific Island Reggae


Your Kung Fu Sucks!® brings you... the Survival 101 mixtape! This blazin' bootleg compilation collects 20 of the best dancehall, roots, and lovers rock reggae hits to rise up from the inviting isles of the South Pacific! That's right, approximately 85 minutes of rock steady riddems that will transport you instantly from your stressed out existence to a tranquil island beach on the other side of the world. We guarantee it! So order your copy of Survival 101 for the low price of free-ninety-nine today, and let the irie vibes of the South Pacific islands whisk you away!

 Survival 101 Mixtape: Introduction to Pacific Island Reggae

01 Freedom – Vanessa Quai  
02 So Much Trouble ft. Mino (Bob Marley Interpolation) – Koran
03 West Papua ft. Ngaiire Joseph – George Telek
 
04 Dou Mada Mai  – 1STRIBE
05 Papuan Pride  – Robby T & Metere Crew
06 Ino'mae – Onetox
07 My Island Home  – DMP
08 Island Diver – Pagasa
09 Perfect ft. Jah Boy – Dezine
10 Bolo Visi – Cloud [Trevor]
11 Crying Youths – Syco Don 
12 Sobo Audau Diva ft. Young Davie – Nasio Domoni 
13 Dina Lewa ft. Da Melanezianz – Young Davie 
14 I Won't Give Up (Jason Mraz Cover) – Paddock 
15 Nice Bola ft. Kairi – Teha 
16 Mon Coeur (Kaneka Remix) – Aryelle 
17 PNG Queen ft. Robby T, Sean Rii, Tee, Rini & Ugly BOFour
18 Shefarian Lady – Shanty Town
19 Hutusa Jazz Lewa ft. Mandre & Livilzman Baka – Sean Rii
20 Vuvusele – Small Jam 
21 Secret Bonus Track 



All songs posted to the Your Kung Fu Sucks! blog are the property of their respective copyright holders. Their use here is strictly intended for promotional and informational purposes only. NOT FOR SALE. Please support the artists featured on the YKFS blog by buying their original CDs and mp3s where and whenever applicable. Any artist who would like to have their music removed from this promotional project may do so by contacting the administrator at stpaco@gmail.com.

10.05.2014

Survival 102: The art of a mixape cover 'remix' (Sampling Bob Marley & The Wailers)



"One good thing about music, when it hits you, you feel no pain." 
                       – Bob Marley

It was indeed a bit of...overkill to make both a front and wholly impractical back cover for the Survival 101 mixtape that was arranged and assembled by yours truly. But once the inspiration had taken hold to make a pop art-style 'remix' cover based on Neville Garrick's design for the classic Bob Marley and the Wailer's album Survival (1979), I couldn't stop until the idea was fully exhausted.

Neville Garrick's cover, which brilliantly illustrated the visionary message of "Africa Unite", the lead track on side two of the Wailer's album, featured the flags of the 41 nations that made up the African continent at that time. But it also united with those nations the flag of Papua New Guinea, one of several distant island sisters to the African continent in the South Pacific Ocean, thousands of miles away.

As a teen, when I got my first copy of the Survival LP on 12" vinyl, I knew virtually nothing at all about "PNG", beyond the very eerie fact that its inhabitants – who live on an immense landmass a few thousand nautical miles away from the continental home of my own ancestors –  somehow looked a helluva' lot like me and my 'bredren'.

As an adult, around the time that I had somehow acquired a second copy of Survival on CD, I felt both genetically and intellectually compelled to become more informed about those distant cousins who inhabit the second largest island on our planet. The process taught me much about them, but also much about the people living on neighboring islands in the region. And, in the years since, I've written a little bit about what I've learned. Someday those writings will see the light of day. But, for now, back to the making of this mixtape's front and back covers.

After deciding to make what would be an abridged remix of Garrick's inspirational piece, I began a brief study of the original Survival album. It was at this point that I learned (or became reminded) that the flag of Papua had been included in the original design, and that surprising fact only doused gasoline on the idea that burned within to make a modern remix version of the cover. But one that would have not only the flag of PNG but the other flags of Melanesia as well.

And so, along with the flag of Papua, the flag of its struggling conjoined twin sister West Papua was added. Following those, the flags of the other Melanesian islands of Vanuatu, New Caledonia (Kanaky), Fiji and the Solomon Islands were promptly applied. And with the mixtape cover quickly beginning to take proper shape, it seemed only fitting to then include the flags of the nearby Torres Strait Islands and that of the aboriginal peoples of Australia and Tasmania. For similar reasons, the flags of the neighboring Timor-Leste and Maluku Islands were added.

After the flags of the Melanesian and related nations, the flags of 16 African countries were chosen due to either historical or aesthetic reasons. These include those of Guinea and Guinea-Bissau (the West African region after which PNG was named), Ethiopia, Zaire, Kenya, Liberia, and others. The last to be added were the "red, black and green" Pan-African flag of African descendants in North America, and the flag of Jamaica, the Caribbean island birthplace of reggae music and Bob Marley.

Pleased with how the front turned out, I wasn't ready to stop. Nostalgia reminded me of how the back cover of the original Survival album had always made me feel when I looked at it;  the sense of unknown history that it hinted at and the sense of connection I somehow felt to the people in the grainy black and white photographs displayed there. And so I tried to convey a similar sense of mystery -- and history -- with old photographs showing people from Papua New Guinea (top & bottom), Fiji (left) and the Solomon Islands (right).

I hope that some of what I was trying to convey with it all somehow comes across.

From start to finish, this mixtape project was a long and gratifying labor of love. But I also had tons of help from various 'surrogates' who didn't know that they were involved. These include the previously mentioned Mr. Garrick, and the small number of bloggers and DJs whose active promotion of Pacific Island music in recent years has exposed me to several artists whose music I now treasure. So massive "big ups" specifically to Street-vibez MozikkSolomon Vibz, FreeSolomonMusic, Massive Entertainment, and the Reggae Revolution Radio Show.

I also want to say 'nuff respect and many thanks to all of the artists whose music has been featured on the Survival 101 mixtape. The intention behind this compilation is only to further promote and bring awareness to folks in America and elsewhere about this too-little-discussed part of our planet (Melanesia) and the fantastic branch of reggae that emanates from its breathtaking isles.

If you download and find yourself enjoying the tunes on this mixtape, please support those few fortunate artists whose music is available through Amazon and iTunes. In the meantime, have fun with this small sampling of what Pacific Island reggae has to offer.

Bless.

"Riddem Selekta St. Paco"

8.24.2012

Kodak Moment (Take a picture, it'll last longer)




Dear diary blog,

It's 2AM and I'm perched at the keyboard finishing the most difficult essay that I have ever attempted to write.

This long-problematic piece was actually started nearly ten friggin' years ago. Because the subject matter was so close to heart, though, it was always difficult to retain objectivity about the proper direction and the quality of the actual work.

But tonight, after two days of just chipping away at it again (for the god-only-knows-how-many-eth time) I finally feel what I've always wanted to feel: that both the rhythm and wording are right, and that the whole is worth every bit of the seemingly endless effort.

Now, after nearly a decade of starts and stalls one would think that I'd managed to pen something equal in size to Plato's Apology. But it's only a 3,000-word essay–albeit one that shoehorns some 50,000 years of human history into a thoughtful and entertaining text. 

That is partly what made it so damned difficult to write. 

And it's also kinda personal too, but had to be made much less personal to make it work; letting go of the parts in which you have an emotional investment is probably the hardest part about writing. 

For me it is, anyway.

Two years ago, one of my previously failed attempts to rework the essay in question resulted in the "Black East" piece that was published in Giant Robot magazine. That was my first published piece and is in many ways a pre-quel to this one.

Coincidentally (but there are no coincidences, right?), Runoko Rashidi contacted me a couple of weeks ago. The somewhat well known historian and lecturer asked if he could include the previously metioned piece in his new travelogue called African Star Over Asia

When I finally find the words, I'll say something about just how...legitimizing the opportunity feels. Right now, though, all I can say is that it's an honor.

As to the title of my old-but-new essay – and it has had a number of 'em throughout its decade long gestation period – "Monster Islands" is the title that was settled upon in 2010 and it's still a perfect fit.

Oh, and diary blog, I just had a thought. 

If I could take a picture right now of what I'd like my life to look like it would be something like the screenshot that I just captured. See it?


Click to enlarge



Well, at the center of the image is the current work-in-progress, which is essentially complete except for a lil' fine-tuning. On the top left side of the screen, the movie Monster From a Prehistoric Planet (aka Giant Beast Gappa) is playing with the volume turned down. And underneath the minimized media player screen is a map of Papua New Guinea, which – like the movie itself – is referenced in the essay.

Over there on the right side of the screen is an antique photograph of a young maiden from Papua New Guinea––something discovered during one of the Raiders of the Lost Ark-style research runs. Beneath that stunning portrait is an iTunes window that displays the song "Genocide" by the Reavers (featuring rappers Spiega, Billy Woods and Kong) as it plays with the volume turned down low.

When I open my eyes to dream, that screenshot offers a perfect example how I'd like my life to look. But in the vision, I actually make a good living doing what I love as both a writer and artist. And if not every single day, most of my work/play days would look like that. 

Okay, the only deviation from what's captured in the image is that there would probably be two flat-screen monitors on my desktop––Oh, and the desk itself would be something new from Ikea.

As for tonight/today, though, I'm happy with what I've got, and happy with how my life looks.