9.25.2012

[Book Report] Super #1 Robot

Super #1 Robot: Japanese Robot Toys, 1972-1982

The difference between men and boys is the age of their toys, and Tim Brisko's Super #1 Robot (Chronicle Books, 2005) showcases within its glossy pages a tantalizing taste of the candy-colored playthings that were once made for boys in Japan between 1972 and 1982.

That ten year time frame marked something of a golden age in robot toys, which were largely based on the towering titans of the animated TV shows of the day like Mazinger Z, Getter Robo, Brave Raydeen, Space Dragon Gaiking, Space Knight Tekkaman, Beast King GoLion (aka Voltron), Super Dimensional Fortress Macross, Mobile Suit Gundam, and others.

Boasting more than 200 pages of gorgeous color plates by photographer Tim Brisko, a fascinating 24-page essay by toy historians Matt Alt and Robert Duban, and a touching afterward by Bullmark Toys founder Saburo Ishiuziki, Super #1 Robot is the Christmas Wish Book you never had as a kid, and a compendium of classic robot toys that no full-grown otaku should be without. – SP


 1973 - Miracle Fighting Red Baron [Super Robot Red Baron], page 38

1974 - Great Mazinger [Great Mazinger], page 49

 1975 - Getter Dragun [Getter Robo G], page 75

1975 - Grandizer [UFO Robo Grandizer], page 85

 1976 - Combattra [Super Electromagnetic Robo Combattra], page 111

 1977 - Danguard Ace [Planetary Robo Danguard Ace], page 130

 1979 - Gundam Combination Set [Mobile Suit Gundam], page 165

1981 - Future Beast GoLion [Master of a Hundred Beasts: GoLion], page 188

Today - Meka Godzilla [Toho Kaiju], page 245

9.23.2012

Meanwhile...

 
Shogun Warriors #1: "Raydeen"
On my final day at the Phoenix Comicon this past May, a minty fresh copy of Shogun Warriors #1 found its way into the pile of bronze age beauties for which I paid one buck per book. [Colgate™ smile]

Published by Marvel Comics between February of 1978 and September of 1980, Shogun Warriors boasted the enormous exploits of a triumvirate of giant robots whose names and likenesses were licensed from Mattel Toys for use in comics by Marvel. The series ran for 20 issues and featured stories by writer Doug Moench and illustrations by artist Herb Trimpe.

As this first issue opens, the giant robot Raydeen, a "servant of good," is locked in an epic tussle with the equally enormous and polar opposite servant of evil, Rok-Korr. After having been stored away for unknown eons under a secret base in a remote part of the far east, it is Raydeen's first time on the battlefield and it is showing. Fortunately, this clash of titans takes place on the outskirts of the been-there-done-that-wearing-the-I-survived-t-shirt side of Tokyo.

Riding in the catbird seats of Raydeen's on-board control center are his three newly recruited handlers: Japanese aircraft pilot, Genji Odasu, African marine biologist, Ilongo Savage, and American stunt car test driver, Richard Carson. Before being abducted by aliens and tossed into the fray with Rok-Korr, the three were given a roughly 20-minute crash course on the art of robot rope-a-dope.

Despite landing a few well-placed blows and nearly putting the big bad guy down, team Raydeen is in over their heads. They have managed to lead the destructive Rok-Korr away from the city, though, and choose to try loosing him in the nearby mountains. After doing so, and seeing this as small triumph in an overall failure, Savage suggests a tactical retreat: He who fights and runs away lives long enough to sign up self-defense classes.

How and why were Genji Odasu, Ilongo Savage, and Richard Carson chosen for team Raydeen? Who are the Followers of Light and from what strange world do they originate? Whose big orange silhouettes are those flanking Raydeen on the cover? Who is Lord Maur-Kon and why does he wanna wreak havoc on our peaceful planet Earth? The answers to those questions and many more are to be found inside the pages of the first exciting issue of Shogun Warriors !

 Click to enlarge 



Meanwhile...


 Shogun Warriors #2: "Warriors Three"

On the final page of issue #1 of Shogun Warriors, readers are introduced to two more ginormous pilot-driven robots. Like Raydeen, they too were created by the Followers of Light to assist in the never-ending struggle against the forces of evil, and child boredom. These robots are Combatra and Danguard Ace.

When the Shogun Warriors comic book was originally released, it was almost universally assumed that these additional bots were created by Marvel Comics. Why? Because in comparison to Raydeen and others from Mattel's Shogun Warriors toy line, like Mazinger, Dragun and Gaiking, Danguard Ace and Combatra seemed, boxy, clunky and not as super fly looking.

Nonetheless, Raydeen's Marvel Comics compadres were indeed genuine (pronounced "gin-you-wine") imports from Japan's giant robot genre. In fact, during the 1970s, Chōdenji Robo Combattler V and Planet Robo Danguard Ace even had animated TV shows of their own, as well as complementary die-cast metal toys...which seemed boxy, clunky and not as super fly looking.

And so, in this, the second issue of Shogun Warriors, readers are officially introduced to these two additional robots. We also get a look at their special powers in a training exercize–like the flying rocket fist of Danguard Ace. But readers also get to learn which of the giant robots will be piloted by which of the three new recruits!

In spite of the overall tempo of issue #1 and also a pulse-pounding page which really made it look as if Ilongo Savage was going to lead the team and pilot Raydeen (see above), the powers-that-be must've sensed a serious disturbance in the force. So an "editorial decision" was made to put the dark side back in check. The way that this plays out in the story is lame, even for a comic book.

Back at Shogun Sanctuary, psychological profiles are conducted by computer in order to determine which "individual human temperament" is best suited to link with which each specific robot. Stunt driver Richard Carson (big #%&* surprise there, right?) assumes the pilot seat of Raydeen, Genji Odasu links with Combatra, and Ilongo Savage links with Danguard Ace.

With that predictable bit of typecasting out of the way, the team, after somehow also having time to get more training under their belts, heads out for a rematch with Rok-Korr. The mammoth menace has found his way back to town and has his empty head set on knocking down more bridges and buildings.

How does the team fare in their next baptism of fire? What evil simmers beneath a volcanic island in the Pacific Ocean? Who are the eternal foes of the Followers of Light? In addition to Odasu, why is there only one other woman at Shogun Sanctuary? The answers to those questions and many more are to be found within the pages of the second exciting issue of Shogun Warriors!


 
Click to enlarge


  

 

9.22.2012

NOW SHOWING...


It's Saturday, boys and girls, and you know what that means? You betcha! It's time for Your Kung Fu Sucks! Grindhouse Cinemas™ to bring another senses-shattering installment of the Monsta Mashin' Matinee to your desktops! This month's creature feature will be a showing of the first appearance of that towerin' terrapin we all know and love in the 1965 classic, Gamera the Invincible (Daikaiju Gamera). As always, kids, this Vintage Video™ is available as a free mp4 download courtesy of the fine folks over at Archive.org. But you're also more than welcome to watch it front-row-and-center at the YKFS blog. But do bring your own popcorn, Sno-Caps and Jujubees, please.



8.25.2012

Semi-automatic dai-kaiju fanatic


In the miles-long litany of clever samples used by the RZA for various Wu-Tang songs, one of the least recognized could be the other-worldy whine looped under the chorus of "Semi-Automatic Full Rap Metal Jacket" (Wu-Chronicles, 1993). It's likely that even the most astute rap music nerds never linked the mewling sound effect to the voice of Japan's beloved dai-kaiju (giant monster) Gamera. But that is where this genius sample came from. Press-N-Play™ the link below to hear it for yourself.

Wu-Tang Clan – Semi-Automatic Full Rap Metal Jacket ft. U-God, Inspectah Deck & Street Thug

NOW SHOWING...



Your Kung Fu Sucks! Grindhouse Cinemas™ proudly presents its very first Monsta Mashin' Saturday Matinee™ featuring the classic War of the Monsters aka Gamera vs. Barugon (1966). As always, true believers, this Vintage Video™ is available as a free mp4 download courtesy of the fine folks over at Archive.org. But you're also more than welcome to watch it front-row-and-center at the YKFS blog. But bring your own popcorn, Sno-Caps and Jujubes, please.


8.24.2012

Kodak Moment (Take a picture, it'll last longer)




Dear diary blog,

It's 2AM and I'm perched at the keyboard finishing the most difficult essay that I have ever attempted to write.

This long-problematic piece was actually started nearly ten friggin' years ago. Because the subject matter was so close to heart, though, it was always difficult to retain objectivity about the proper direction and the quality of the actual work.

But tonight, after two days of just chipping away at it again (for the god-only-knows-how-many-eth time) I finally feel what I've always wanted to feel: that both the rhythm and wording are right, and that the whole is worth every bit of the seemingly endless effort.

Now, after nearly a decade of starts and stalls one would think that I'd managed to pen something equal in size to Plato's Apology. But it's only a 3,000-word essay–albeit one that shoehorns some 50,000 years of human history into a thoughtful and entertaining text. 

That is partly what made it so damned difficult to write. 

And it's also kinda personal too, but had to be made much less personal to make it work; letting go of the parts in which you have an emotional investment is probably the hardest part about writing. 

For me it is, anyway.

Two years ago, one of my previously failed attempts to rework the essay in question resulted in the "Black East" piece that was published in Giant Robot magazine. That was my first published piece and is in many ways a pre-quel to this one.

Coincidentally (but there are no coincidences, right?), Runoko Rashidi contacted me a couple of weeks ago. The somewhat well known historian and lecturer asked if he could include the previously metioned piece in his new travelogue called African Star Over Asia

When I finally find the words, I'll say something about just how...legitimizing the opportunity feels. Right now, though, all I can say is that it's an honor.

As to the title of my old-but-new essay – and it has had a number of 'em throughout its decade long gestation period – "Monster Islands" is the title that was settled upon in 2010 and it's still a perfect fit.

Oh, and diary blog, I just had a thought. 

If I could take a picture right now of what I'd like my life to look like it would be something like the screenshot that I just captured. See it?


Click to enlarge



Well, at the center of the image is the current work-in-progress, which is essentially complete except for a lil' fine-tuning. On the top left side of the screen, the movie Monster From a Prehistoric Planet (aka Giant Beast Gappa) is playing with the volume turned down. And underneath the minimized media player screen is a map of Papua New Guinea, which – like the movie itself – is referenced in the essay.

Over there on the right side of the screen is an antique photograph of a young maiden from Papua New Guinea––something discovered during one of the Raiders of the Lost Ark-style research runs. Beneath that stunning portrait is an iTunes window that displays the song "Genocide" by the Reavers (featuring rappers Spiega, Billy Woods and Kong) as it plays with the volume turned down low.

When I open my eyes to dream, that screenshot offers a perfect example how I'd like my life to look. But in the vision, I actually make a good living doing what I love as both a writer and artist. And if not every single day, most of my work/play days would look like that. 

Okay, the only deviation from what's captured in the image is that there would probably be two flat-screen monitors on my desktop––Oh, and the desk itself would be something new from Ikea.

As for tonight/today, though, I'm happy with what I've got, and happy with how my life looks.

One to grow on

Hey, kids! I would like to suggest that you not try the multiple applications thing without adult supervision. While it isn't exactly uncommon for yours truly to have multiple files open simultaneously, and iTunes also running in the background, it is not NOT common to also have a movie playing. But, due to the breakthrough that occurred with "Monster Islands," I rewarded myself with some extra (but still related) visual stimuli. Also, kids, if you do listen to music while reading, writing or doing math homework, it is always best to keep the volume turned down low, so as not to distract from the work.

And that's one to grow on!

–SP

8.22.2012

The T.R.O.Y. Blog Presents Monsta Island Czars - Return to Monsta Island, Vols. 1 & 2


At the start of the summer, Dirt Doggy Dog and the crew over @ the T.R.O.Y. Blog brought heat to the interwebs with two beastly compilation mixtapes featurin' your favorite dai-kaiju inspired hip-hop crew and mine, Monsta Island Czars! That's right, true believers, because those underground favorites never got around to releasing a sequel to 2003's Escape From Monsta Island!, the mad scientists at T.R.O.Y. Industries™ bumrushed the lab and went completely Doctor Frankenstein. The result is two mixtapes that give a welcome fix to anyone who's been jonesin' for more MIC brand dopeness. Both of 'em have been in repeat rotation since I got 'em, and it seemed like a really good idea to share 'em here at YKFS Central.

Enjoy!

T.R.O.Y. Presents Return To Monsta Island Vol. 1

01. X-Ray – A Monsta (Intro)
02. King Geedorah – Fazers
03. Rodan – Ability to Speak (One Week)
04. Jet Jaguar – All Y’all
05. Spiega – Now That’s Sweet
06. Megalon – Revelations
07. Gigan – Live Wirez Remix
08. Kong – Use Me
09. Kamackeris (as Kwite Def) – All is Fair
10. Megalon (as Tommy Gun) – I’m Counting on You
11. Gigan – In Search Of
12. Jet Jaguar – The Way
13. Spiega – I Seen It All
14. King Geedorah – The Fine Print
15. Jet Jaguar – Stable
16. Kamackeris (as Kwite Def) – Khadijah 2008
17. Rodan – No Degrees
18. Megalon – Rain Blood
19. Gigan – Gunshots
20. Kamackeris – Untouchable
21. Kong & Spiega – True Believers
22. Megalon – When I Go Out
23. Rodan – Human Inquisition
24. X-Ray – Monstaball (Outro)

:::Download::: 


T.R.O.Y. Presents Return To Monsta Island Vol. 2

1. Rodan- Century 21 ft. Megalon
2. Rodan- Roll Call ft. Kong, Kamackeris, & Gigan
3. Kong- Beast ft. Spiega
4. Kong- Die ft. Megalon, Egyptian Queen, King Ceasar, Loch Ness, & Spiega
5. Kong- War ft. 5th Element & Spiega
6. The Reavers- Genocide ft. Spiega, billy woods, & Kong
7. MF Grimm- Taken
8. Megalon- Yahkoo
9. Kamackeris- Kill Or Be Killed ft. Spiega, Rio, & Foul Language
10. Kong- Get Your Money Right
11. Kong- Lifted ft. Gabarah & Monsta X
12. Megalon- Keep It Street
13. Gigan- Outta Jail
14. MF Grimm- Dancin’
15. The Reavers- America ft. Spiega, Hasan Salaam, & Akir
16. Darc Mind- Spontaneous ft. Kamackeris
17. Rodan- Flight Lessons (Lyric Medley)
18. billy woods- Death From Above ft. Kong & Spiega
19. MF Grimm- The Original (DJ Fakts One Remix)
20. Kong- Red Tears ft. Spiega & Delilah
21. Rodan- Run The Sphere V. 2.3 ft. Kong, Loch Ness, Megalon, King Ceasar, Kamackeris, King Ghidra, & Jet Jaguar
22. MF Grimm- Voices (The Final Chapter)

:::Download::: 

8.10.2012

Please deposit 'fiddy' cents


"If I ruled the world..." by way of royal edict I would order Capcom to produce a special edition Street Fighter arcade version that pulls double duty as a jukebox. That way, whenever players clanked a couple o' quarters into the slots of the Capcom vs. Wurlitzer Classic™, they'd get more bang for their half-a-buck by getting to pick out a def jam as well. And on those nights that I had my incredibly fetching female chauffeur drive me to the 24-hour laundromat to throw down against some hapless mark, the song "Chun Li" by Ryu Black (aka Ravage the MeccaGodzilla) would be my #1 draft pick. This infectious lil' posse cut was the first single from Ryu's 2011 album, Perfect 天, and features some stellar assists by Random (aka Mega Ran), Masia One and DJ Sarasa. On the infrequent occasions when I get Street Fighter on the brain (see previous post), I've simply gots'ta to hear this song. And though it has already been blogged about here before, just like the classic game that inspired it, "Chun Li" is always worth a replay. – SP

Ryu Black – Chun Li ft. Random, Masia One & DJ Sarasa

8.09.2012

Five hundred + hit combo!


A puny 98-pound weakling could have knocked me over with a pink feather boa when I figured out that the "Shaolin Break Dancing" post from a few months back had generated over 500 page views. Some of these YKFS postings are lucky to even break fifty (not really), but that piece generated hits like a Street Fighter™ combo on crack.

Even more remarkably, though, a few other postings generated well over 700 and 800 hits. Sha-zam!

The reason that this merits mention is 'cuz I told a buddy some months back that it was cool (for me) just knowin' that there are a couple dozen YKFS readers. Now, though, havin' seen the actual number of page views that some of these pulse-pounding postings have generated, I'm getting inspired with the desire to touch even more eyeballs.

As beautiful fate would have it, it was just over a year ago that I blogged about how if it nailed down, I'd be bringin' it – whatever it might happen to be – to Your Kung Fu Sucks. Gauging by the page views earned by some of these posts since then, methinks this lil' ol' blog has managed to 'level up' a tad.

So, this quick missive has been written to show my appreciation to the subscribers (all six o' you), the lurkers and the information superhighway passers-by. You're the reason that bloggers put fingers to keys. In the immortal words of Bartles & James: "Thank you for your support."

– SP

7.24.2012

American Autographitti


While attending the San Diego Comicon in 2009, I had the pleasure of meeting and speaking briefly with Jim Kelly, the co-star and star of the 1970s martial arts films, Black Belt Jones, Tattoo Connection and Enter the Dragon. The unexpected encounter would mark the high point of every single one of my visits to the San Diego Comicon.

As good fortune would have it, only months before meeting him, I had put together an unofficial Jim Kelly tribute page for Myspace; there were scores of Chuck Norris and Bruce Lee tribute pages at the time, but only one for Jim Kelly, and it was kinda' lame. When I made mention of the Myspace page during our brief chat, Jim was both flattered and appreciative.

Thinking of his own way to contribute something to the online altar, Jim asked if I'd brought along a camera. To my dismay and embarrassment, I'd somehow forgotten to bring it with me. Jim then asked if I was going to be at the con the next day and when I responded in the affirmative, he recommended that I come back with my camera so that we could snap a picture together.

As there is usually a monetary exchange involved with taking photos with celebrities at conventions, Jim was also quick to mention that the photographs would be a friendly, cashless transaction. He also advised that if I came back, he'd throw in one of the black and white 8x10 glossies that celebs traditionally bring along to sign for fans.

Despite his gracious offer, I was still kicking myself for bringing neither my camera that day, nor my sketchbook. (Personal note to self #1: Some effin' blogger you are!) Both had been left back at the apartment of my friends Storm and Kaz. Even more tragic, it had never even occurred to me to pack any copies of Kung Fu Grip! in my suitcase. The first issue actually has Jim on the cover! (Personal note to self #2: Some effin' zinester you are!)

Somehow, though, in the face of my dismay I remembered the back-up copy of David Choe's Cursive that I'd grabbed at the Giant Robot booth about 15 minutes earlier. As good fortune would have it, the book (mentioned in the recent Sony Boodo Khan™ Mixtape post) contained a page of Jim Kelly sketches that Dave had done for GR magazine! In case of an apocalypse, I asked Jim to sign that page for me.

"That's a good likeness," he enthused as he took a moment to study the sketches before placing his autograph in the bottom right corner.

Jim Kelly by David Choe

Handing the book back, Jim asked where I was from. Upon hearing the word "Chicago" in my response, his cheeks wrinkled up into a smile and he gushed, "Man, I've got stories about Chicago!" There were several fans waiting, though, and no time to go into those stories. But it seemed certain that those spine-tingling tales would probably have included Jim's infamous 1974 disappearing act.

An old article published in Black Belt (November, 1974) preserves a record of how Jim had been in Chi-town promoting the release of Three the Hard Way, the low-budget blockbuster co-starring Jim Brown and Fred Williamson. But the morning after his arrival, Kelly's agent would report to police that his client had gone missing in the night, and was seemingly the victim of a kidnapping.

Kelly, however, had not been abducted. On the contrary, it was the attention of the public that had been hoodwinked by an ill-advised promotional stunt. Much to the irritated relief of the Chicago police and the FBI, Jim would surface safe-and-sound in New York days later.

In the summer of the following year, Jim would make another appearance in Chicago. This time with Muhammad Ali at the city's annual Bud Billiken Parade. Surrounded by the smiling faces of cops and kids, Kelly and Ali lifted their mitts to one another in a mock street fight. Photos of the faux face-off would make the pages of Jet magazine.

It was a copy of that image taken in Chicago with Ali that Jim wanted to give me when I returned to his table the next day. He ruffled through his photograph binder, only to realize that no copies of that particular image had been included. As for me, I wasn't the least bit disappointed when he instead signed a copy of the Enter the Dragon promo in which actors John Saxon, Bolo Yeung and Bruce Lee could also be seen. And though I had never really been one for signed memorabilia, the autographed photo was one that I was more than happy to take for my studio wall.

Now three years later, for a number of reasons I have not yet made it back to the San Diego Comicon. But I've read on the interwebs and heard from various friends that Jim has been back every year sharing his stories and photographs with his fans. 

Each year my friend Storm thoughtfully mails me a copy of the keepsake souvenir book, which keeps me abreast of some of the good things that I've been missing. And each year I flip through the book thinking: Maybe I'll get back out to San Diego next year...

Included with this year's book, which came in the mail today, were two related comicon publications. To my surprise, concealed between the pages of one of them was an 8x10 glossy. Contained within the photo's borders is that playful image of Jim Kelly standing hand-to-hand with Muhammad Ali on a street in Chicago.

Studying every inch of the photo, I wonder if my friend has a cool story to go along with it. And as I place the priceless treasure in one of the new picture frames that – as good fortune would have it – was just purchased days before, I quietly resolve to not let another year pass without making the pilgrimage to San Diego.


Thanks, gracias, xie xie and domo to Arashi-san.

7.23.2012

Thirty Fingers of Death fights back from the grave!


The original link has been dead for a while. (Sorry!) So in light of the previous post, it really seemed like the right time to resurrect this super fly session from DJ Mane One's sorely-missed 30 Minute Mix podcast. Those of you who got this baby the first/last time around already know how bad-as-a-mutha it is. But if this is gonna be your first time downloading it, get ready to get your Campbell Lock, funky chicken, and kung-fu hustle on.

Submitted for your approval... 

DJ Mane One - Thirty Fingers of Death Mixtape 

01. Theme to Black Belt Jones - Dennis Coffey
02. Aragon - Roy Ayers
03. Enter The Dragon Theme - Lalo Schifrin
04. Si Me Ves Volar - Los Tios Queridos
05. Causeway - De Wolfe Music Librarie
06. Mystery Track
07. Mystery Track
08. Cookies - Brother Soul
09. Shaft In Africa - Johnny Pate
10. You Can't Even Walk To The Park - Johnny Pate
11. Brother On The Run - Johnny Pate
12. Alive and Well - Barry White
13. Jadoo - Passport
14. Mountain Mocha - Yellow Soul Force
15. God Put A Smile On Your Face - Mark Ronson
16. Funky Fanfare - Keith Mansfield


:::Download:::

7.11.2012

Ciphurphace will show you to your maker


James Ciphurphace is a hard-working hip-hop wordsmith whose rhymes often reflect back on that time when rap music was much less commercial, and rap artists seemed to place more emphasis on the 'art' portion of the title. Ciphurphace himself embodies this period on "How to MC," a heavenly Koncept Jones-produced track on the Arizona mic controller's ambitious sophomore album, Apply Within. Riding deep in the groove – seemingly in the spirit of Wu-Tang's GZA drivin' a topless Bentley down the autobahn – the "swAZian" microphone fiend from Tucson waxes metaphoric on the challenges of staying true to the art of meaningful rap music. For a no commitment test drive of Ciph's newly-released Apply Within, download "How to MC" and "Maker" for free-ninety-nine by clicking on the links below. – SP

Ciphurphace – How to MC
Ciphurphace – Maker

And for more information about the Ciphurphace album, Apply Within, click here.

Ollie-OX's "4 Deep in a Honda" video is a smash

Holy Honda Civic, Batman! The new video for the Ollie OX "4 Deep in a Honda" posse cut is a  smash, both literally and figuratively! Directed by Jack Simpson, this fun 4-and-a-half-minute production features Ollie OX and label mates, C-Zar Van Gogh, Jake Palumbo and Ciphurphace all sardined in a 4-door import sedan on the long road to success. Also featured in the vid are six dozen crash test dummies, fifty tons of mangled car metal, four V for Vendetta Guy Fawkes face masks, one Naughty By Nature padlocked neck chain...and more imagination than you'll see in many videos made with big studio-backed budgets. So sit back, kiddies, buckle your cyber-seat belts, and let Ollie OX and his partners-in-rhyme show you how they roll.



And for more information about the Ollie OX album Dancing with Ammo, click here.

7.04.2012

Maya Corazon 'hearts' headphones...

.... and headphones 'heart' Maya Corazon.   

Photo: Damon 
Model: Diana 
Source: Afrodisiac

6.28.2012

The Man With the Iron Fists [Red Band Trailer]


In the tradition of Afro Samurai, Sukiyaki Western Django, The Warrior's Way, Bunraku, The Good, the Bad, the Weird, and other east-meets-west themed period pieces comes the RZA's long-awaited directorial debut, The Man With the Iron Fists. Written by RZA and Eli Roth (Hostel), and starring Russell Crow, Lucy Liu and Jamie Chung, the film is currently without an official theatrical release date, but the teaser poster and (red band) trailer has officially dropped, so YKFS blog readers are gettin' a sneak peek courtesy of IGN. Dig it.


6.27.2012

The Sony Boodo Khan™ Mixtape


 
Slow Jams by David Choe

Facebook bazillionaire David Choe is an artist who has often shared his deep love of music through his awe-infesting visual works. Slow Jams, one of his earliest and best-known zines, was named after the slang term for an R&B ballad. And in the pages of Cursiv, his 2003 sketch book, David dedicates two pulse-pounding pages to a dearly departed mixtape that was mangled beyond repair by a teething tape player.

Named the "Ultimate Jam," his crippled cassette showed the tastes of an eclectic 'selektah.' Scribbled on the folded Maxell insert are songs like "Just a Friend" by Biz Markie, "Glory Box" by Portishead, "Get in the Ring" by Guns-N-Roses, "Sabotage" by the Beastie Boys, "Porno Creep" by Korn, "Girl/Boy Song" by Aphex Twins, "Blue Flowers" by Doctor Octagon, and a few dozen other seemingly random tracks.

Collectively, the mismatched music on the cassette reflects the patchwork essence of the misfits from various cliques who get crammed together for Saturday detention in a John Hughes movie.

"It's either the dopest or worstest mixtape you've ever heard," scrawled the artist above his playlist, making himself correct either way in the process.

While working on the design for my pimp-a-licious new poetry zine (Distant God Meditation), I often found myself flippin' through Cursiv. Somethin' about its "unorthodox...but effective" visual kung-fu chi power helped to keep me in the zone. And though I dig every illustration in the book, two of those that spoke to me most at present were Dave's drawings of his mutilated tape (top) and a jam drawing done with his homies, Eskae and Rhode Montijo.



With my zine work finally done (and with an eclectic music mix in mind) I made an mp3 compilation mixtape inspired by the vibe of Distant God Meditation. Some of my picks –Talvin Singh's "Distant God" and Marvin Gaye's "Distant Lover," for example – were immediate influences. Others were chosen because I felt that they could offer allusions to the project in either nuanced or blatantly obvious ways. The finished product is my own debatable rendering of an "Ultimate Jam."

For the record, the Sony Boodo Khan™ Mixtape was made to be heard though headphones (hence the name Sony Boodo Khan™ Mixtape). And I am not talkin' about those omnipresent, porcelain-colored earbuds. (Viva, Steve Jobs!) I'm talking about cushiony, cocoons-over-your-ears-drowning-in-sound headphones. To feel the soul sonic force of this master mix, this is what it's gonna require:

head•phones |ˈhedˌfōnz|
plural noun
a pair of earphones typically joined by a band placed over the head, for listening to audio signals such as music or speech.

Headphones

And for those of you who somehow missed the British trip hop tsunami from which poured the down-tempo sounds of Massive Attack, Tricky, Portishead, Morcheeba, Statik Sound System, Hooverphonic and many others, the Sony Boodo Khan is a now-mythologized Walkman that was name-checked in two songs on Massive Attack's ground-obliterating album, Blue Lines.

Anywhoo, some of these track selections are gonna suck your earlobes. Others will sucker-punch you in the pancreas. And if you don't feel anything at all, then I feel sorry for you–because you simply have no soul. Okay, okay, maybe your soul just wasn't fed the 8 essential vitamins and minerals  that every growin' ghost in the shell needs. So, prepare to be nourished now, kiddies, 'cuz this mixtape is on some futuristic-5th Element-Blade Runner-Fruity Pebbles shit.

So sayeth...

Riddem Selektah St. Paco


001. Long Island Wildin' – De La Soul
002. Lot More – Portishead
003. Christiansands – Tricky
004. King Ghidorah  – Godzilla Sound Cues
005. OK – Talvin Singh
006. Tetsuwan Atom / Astroboy Theme (1966)  – Kamitakada Shounen Gasshoudan
007. Blue Lines – Massive Attack
008. Readymade FM – Pizzicato Five
009. Baby Love Child – Pizzicato Five
010. Scientific Civilization (Skit) – Monsta Island Czars
011. Jellyfish ft. Cappadonna, Shawn Wigs & Trife Da God – Ghostface Killah
012. In The Hands Of The Gods ft. Biz Markie – Morcheeba
013. One In A Million – Aaliyah
014. Midnight In A Perfect World – DJ Shadow
015. Audiomaze – Tabla Beat Science
016. Addictive ft. Rakim – Truth Hurts
017. Paid In Full (Mini Madness) – Eric B. & Rakim
018. Five Man Army – Massive Attack
019. Distant God ft. Leone – Talvin Singh
020. Distant Lover – Marvin Gaye
021. Lover ft. Aya – Sweetback
022. Toh Kami Emi Tame - Kenji Kawaii
023. The Ballade of Puppets: In a New World, Gods Will Descend - Kenji Kawaii

Bootleg cover illustration: Rhode Montijo • David Choe • Eskae


:::Download:::
 
Note: Copies of
Cursiv are still available at the Giant Robot shop. So while you're there gettin' yours, pick up a copy of Giant Robot #64, which features the mind-blowing "Black Asians" article by yours truly. There's also a Choe-related joint in that issue by my zine-making comrade Jason Jaworski, so cop it, yes?

6.26.2012

Elephunk

Distant God 1.0 (Hip-hop vs. Hindu Remix) by St. Paco (after Doze & Haze)
Limited edition inkjet print on genuine archival grade bamboo art paper
8" x 10"

6.25.2012

Pixar's Austin Madison on inspiration

May 17, 2011

 
To whom it may inspire,

I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is the white-hot, "in the zone" seat-of-the pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time.

The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems.

In a word: PERSIST.


PERSIST on telling your story. PERSIST on reaching your audience. PERSIST on staying true to your vision. Remember what Peter Jackson said, "Pain is temporary. Film is forever." And he of all people should know.

So next time you hit writer's block, or your computer crashes and you lose an entire night's work because you didn't hit save (always hit save), just remember: you're never far from that next burst of divine creativity. Work through that 97% of murky abysmal mediocrity to get to that 3% which everyone will remember you for!

I guarantee you, the art will be well worth the work!

Your friend and mine,

Austin Madison

6.24.2012

Thinkin' of a master plan...

 Taggers in the Temple by St. Paco
Limited edition inkjet art print on genuine archival grade bamboo art paper
8.5" x 11"

6.23.2012

Open letter to a homeboy: Just 'jeet kun do' it

About week ago, as I rifled through a nearly ten-year-old folder on my older Mac (the G4 Tower), I was reacquainted unexpectedly with a letter that I wrote to a friend in late autumn of 2003. Planted throughout this dated missive are the seeds from which Kung Fu Grip! zine and several other of my projects, perhaps even this blog, have flowered.

I'd like to think that I've become a slightly better writer since then–but this letter wasn't originally intended for mass consumption, either. So, I should prolly forgive myself for its faults. I mean, it's still a good enough read, methinks. Most private letters are, right?

Submitted for your perusal, the Tao of Kung Fu Grip.

------------------------------------------------------------------------------------
 
November 14, 2003


[Name withheld]


I feel like a writer today and so I'm writing you this letter. It won't be very long, though. Just an 'arts & life' update.

My phone service was interrupted this past Monday due to non payment. Apparently, I misread the disconnection notice, thinking that the payment didn't have to be made until 11/23. I was only half right and the phone was temporarily disconnected; if not paid by 11/23 it will be completely disconnected.

Hmmmmm...another lemon. So, what did I do? I made some proverbial lemonade.

Firstly, I cleaned the apartment––something I had neglected to do for almost two months. Sure, I had done some spot cleaning to keep some semblance of order, but there were other things that needed to get done that just kept getting put off...until the phone service was interrupted, that is. 

"Hello, my name is St. Paco and I am an internet addict..."

After my cleaning chores I got back to some of my research, rereading a lot of the stuff I've downloaded over the past few years and establishing connections on various points that had been hoverin' in the back of my mind for some time. I then drew up this timeline and spent more time looking into this largely unknown tradition in medieval Europe where religious icons of a black Christ began to appear around the 11th century and to flourish throughout the 15th century, when the Spanish began to colonize other parts of the world. 

After a day or two of that, it occurred to me that my more...secular writings were being neglected (again). I figured that – if nothing else – I could maybe get one more issue of Third Rail zine out this year; I have about six or seven essays in varying phases, from rough ideas to nearly finished. 

I then started working on the Upski Wimsatt short story again, that I want to have in the second issue of Third Rail. As it's now at ten pages in length (zine-sized) and almost complete, it'll significantly help to cut down on the amount of pages that I will ultimately need to fill. I'm thinking that it'll be 36 pages long, like the first issue.

And then there's this "Count Dante: Deadliest Man Alive" article that's been burnin' in the back of my brain since July.


It's funny how you take things for granted. For instance, I always just took for granted that Count Dante was from Chicago. But seeing his full-page ad again earlier this year in an old Fantastic Four issue that I was flippin' through really brought it home to me, that sense of wonder that not only comic books held for us growin' up, but the advertisements within–especially the old martial arts ads.

It probably goes without saying that I think that Dante's was the crown jewel of such advertising.

Now, the article idea actually came to me after, merely out of curiosity, I searched the web for more information on the guy and found it almost IMPOSSIBLE to get anything on him. He'd practically fallen off the map, it seemed. Ultimately, though, I would come to learn that he actually died back in 1975–which I'm sure I didn't forget and just never knew.

Afterward, it occurred to me then that since my zine was loosely about old school hip-hop perspectives filtered through my experiences growing up in Chicago, I should write about him. Nothing is as old school and identifiable as the Count Dante "Black Dragon Fighting Society" ads that our generation was exposed to by way of comic books. Well, save for the equally memorable full-page ads by Charles Atlas and the Hostess Company. 


With the Dante article, I even get to sneak in my deep appreciation of Bruce Lee and old kung-fu flicks. At the same time, too, I also get to throw in relevant references to my other childhood hero Muhammad Ali (who owned a home in Chicago back then) and even Jim Kelly, through utilizing that memorable movie quote that you also planned to use your own movie one day: 

"Man...you come right out of a comic book."
– Jim Kelly, Enter the Dragon (1973)


It seems that those handmade Black Dragon Society stickers that I gave you were only an early manifestation of the work on Dante that was still to come, which has now culminated in a biography on the man himself for Third Rail zine. Now that I'm nearly finished with it, though, I honestly think it's good enough to submit to Giant Robot or some other mag.

Yanno, it would also be PERFECT for the Raw Like Sushi zine that we talked about doing together. But gawd only knows when that project will grow it's proverbial other foot; it takes one foot to stand but two to walk.

Early this year, I had envisioned this "King Kong Versus Godzilla" article (based on one of the indigenous populations of the South Pacific islands) as my first commercial writing project, but KKVSG is still months away from completion. And now the Dante article – though originally conceived and researched back in July – was just started this week and will be done by the weekend. After a few more proofreads, it'll be ready for submission somewhere.

And, yo, while writing this article I almost felt like Tarantino did while working on Kill Bill. The night that it was started I had take a break to watch that Bruce Lee vs. Mako episode of The Green Hornet, cuz I was just so hyped–which brings me to a thought.

Stumped this afternoon as to how I should end the article, it occurred to me to pull out a magazine that I'd bought from Tower Records on Alma School & Southern back when I was still living in Mesa. Kung Fu Magazine had done this cool Bruce Lee retrospective issue to commemorate the 25th Anniversary of Enter the Dragon.


Well, as an inspirational distraction I opened the magazine and read again the interviews with Dan Inosanto, Taky Kimura, Bruce's brother Robert, and others. And something that was mentioned in an interview with Richard Bustillo, one of Bruce's old running buddies and sparring partners, really stuck with me. It also made me think of you.

It was Bruce's reiteration the ancient belief that the ultimate knowledge "is self-knowledge." This saying is virtually as old as human spirituality itself.

And then, as he confided how Bruce helped him to be really "honest" with himself, Bustillo reports that Bruce told him: "When you think you can do this or that...don't think...just do it! Either you have it or you don't. Don't just say things like, 'Yeah, I want to do this or I want to do that.' Just do it."

Bustillo says that those words, coming from Bruce, changed his outlook on life. Maybe you can get something out of them, too. But I don't mean by simply reading them in this letter and saying, "Oh, that's cool." Take them, write them down or...cut them from this letter! Tape them to your desk, wall or computer so that you see them everyday until you OWN them:

Click to enlarge. 

The way I see it, they're not just Bruce's words of advice to Bustillo. It's tried-and-true advice for you, for me, and for anyone else who dreams of doing something crazy...like changing the world. Sometimes the secret is so simple that we miss it:

Just do it, bro. Just Jeet Kun Do it.

Love,

St. Paco


6.22.2012

NOW SHOWING...



Your Kung Fu Sucks! Grindhouse Cinemas™ is proud to present the "lost" Bruce Lee interview from Canada's Pierre Berton Show (1971). As always, this video is available to you as a free MP4 download courtesy of the fine folks over at Archive.org. You're also welcome to watch it front-row-and-center at the YKFS blog.

Enjoy.

6.20.2012

The lost gospel of St. Paco

Like an inward reflection of the imaginative collage cover produced by the author, graffiti writer and underground publisher St. Paco, Distant God Meditation is a multi-layered manuscript that brims with the fluid poems and rhymes of a drunk, cigar-smoking monk.

6.18.2012

Jay-Z on Jean-Michel Basquiat

 
"When Basquiat painted 'Charles the First' he was only twenty-two. People always wanted to stick Basquiat in some camp or another, to paste on some label that would be stable and make it easy to treat him like a commodity. But he was elusive. His eye was always on a bigger picture, not whatever corner people tried to frame him in. But mostly his eye was probably on himself, on using his art to get what he wanted, to say what he wanted to communicate his truth."

–Jay-Z, Decoded (p.95)

6.17.2012

Rammellzee vs. K-Rob vs. Basquiat


Many of hip-hop's earliest records have achieved the level of legendary status. Few hip-hop records, however, have ascended to a legendary status of near-mythic proportion. One disc that may have met this mark is Rammellzee & K-Rob's Beat Bop. Produced in 1983, NY street artist Jean-Michel Basquiat booked and bankrolled the studio session that resulted in this now-classic track. For the 'record' (haha), the artist apparently had the intention of rapping on the track as well, but his plan got the bum's rush when microphone fiends Rammellzee and K-Rob laid claim to the booth. Still, Monsieur Basquiat's missing link to early hip-hop music can readily be found on the cover of the Beat Bop 12" single, which today is one of the most desired discs in hip-hop and pop art circles.

Nerd note: Veteran hip-hop geeks and gangstas will now probably be able to hear in this record the sizable influence that it would have on not only the sound, but the very name of the West Coast rap group, Cypress Hill. "Shoot it up, yeah, shoot it up, ya'll yeah."

Rammellzee vs. K-Rob –  Beat Bop (1983)

6.16.2012

Fist full of eyelashes


The photo that you see above is mucho months late to the YKFS blog, but it has been visible on my Flickr site since the day back in February when it was taken.

Casper, a stencil and block print artist in the Netherlands, wrote to offer in trade one of his canvases for a stack of my zines. The piece being offered at the time didn't really speak to me, but as I browsed through the other works that were posted to his Flickr space, a comic-inspired canvas that sampled John Byrne's cover art from Iron Fist #8 grabbed me by the eyelashes.

The piece that I'd immediately become interested in had already been traded to someone else, but I shot a note back to Casper asking if he would mind creating another one for me. A month later, live-and-direct from the Netherlands came a freshly customized canvas that I liked even more than the one that I had seen online. Best of all, it had a red background.

For the better part of a year, it has been a want of mine to decorate one of the walls in my studio with pieces produced by artist friends and acquaintances. Though the styles of art would vary widely, it seemed like a cool idea to see if I could create a sense of harmony amongst the differing styles on display by focusing on pieces that prominently incorporated the color red.

The color scheme, by the way, was dictated by pieces already positioned on the wall: an Afro Samurai poster signed by creator Bob Okazaki and a woodcut print made by my zine-making brother-in-arms, Kiyoshi Nakazawa (Drunken Master). Ink sketches like two that I own by David Choe and longtime friend Stormko, as well as black & white photos by soul-brother-from-another-mother Damon Daood would bring a monochromatic contrast to the redness.

Because I didn't want to impose on Casper's creativity in any way, I fought back the gnawing urge to request that his stencil work be somehow done with red. Still, without a single word the work came tailor-made to fit my wall. Great minds think alike, goes the popular proverb.

And although there are only five or six pieces in my collection now, as evidenced by the image posted up top, it is shaping up to be an eyelash grabbin' set.

6.15.2012

April Fool's Punk'd


In one of the posts that precedes this one, a cover scan of the Marvel Milestone Edition of Giant Size X-Men #1 that I recently picked up at the Phoenix comicon was shown. Well, that one was actually one of two copies of this highly-prized comic book that I (kinda' sorta') got recently. The copy pictured above came in the mail from an unexpected source.

My buddy Darrell D knows that Giant-Size X-Men #1 is one – if not the holy grail – of comic books that I dream of having in my collection someday. I was six years old when the book came out and I never did own an original copy. What's more, by the time it became important to me, as well as every other X-Men fan, it was already priced well above my pay grade.

During the second or third week of April, a large manilla envelope came to town with D's return address on its face. I had actually been expecting the arrival of his newest DVD (Red Beans & Rice Vol. 2––did I mention that St. Paco designed the cover?), but the envelope in my mailbox seemed a lil' on the anorexic side to be holding a DVD.

Pimp-struttin' back to my studio apartment, I headed over to the kitchenette and picked up a butter knife from the counter. I slowly sliced an opening from which to remove the mailer's mysterious contents. Turning the envelope upside down, out of the freshly opened slit slid a slightly odd-looking copy of...Giant-Size X-Men #1!? What...the...hell!?

Amongst friends, Darrell D is known for doing things for and giving gifts to his homies that they wouldn't expect. Still, knowing the price tag on this book, my first thought when gazing at the cover behind its protective plastic sleeve was: I haven't done anything to deserve this.

Now, since I ain't the type to jump around like I've won the lotto – even if I have – I didn't jump around like I'd won the lotto. Instead, I patiently peeled up the strip of tape found on the back of the protective sleeve and pinched the book free. As I gingerly flicked back the cover to behold its vintage contents my spidey-sense immediately began to tingle.

I actually own a few issues of Marvel's Giant-Size series and know from years of experience with 'em how a 68-page comic book feels, in terms of its thickness and weight. But the alleged X-Men comic I had in hand seemed really under-sized. That said, I wasn't completely thrown when the photocopied comic book cover was opened to reveal the trap that the dastardly Darrell D had set for yours truly.



Fucking hell. I knew that something was up...that something just wasn't right about the book. But he still got me, technically, and I laughed my ass off for a good five minutes. When I had regained my composure, I picked up the cellular and speed-dialed the culprit. As soon Darrell D heard my voice on the other end he began to belch out a nervous chuckle.

"Ya got me," I admitted, as my voice quickly tripped into a boisterous laugh that the pranker's own laugh quickly echoed.

"Ya got me."

Ms. Badu, you and the Roots got me too