8.25.2012
Semi-automatic dai-kaiju fanatic
In the miles-long litany of clever samples used by the RZA for various Wu-Tang songs, one of the least recognized could be the other-worldy whine looped under the chorus of "Semi-Automatic Full Rap Metal Jacket" (Wu-Chronicles, 1993). It's likely that even the most astute rap music nerds never linked the mewling sound effect to the voice of Japan's beloved dai-kaiju (giant monster) Gamera. But that is where this genius sample came from. Press-N-Play™ the link below to hear it for yourself.
Wu-Tang Clan – Semi-Automatic Full Rap Metal Jacket ft. U-God, Inspectah Deck & Street Thug
NOW SHOWING...
Your Kung Fu Sucks! Grindhouse Cinemas™ proudly presents its very first Monsta Mashin' Saturday Matinee™ featuring the classic War of the Monsters aka Gamera vs. Barugon (1966). As always, true believers, this Vintage Video™ is available as a free mp4 download courtesy of the fine folks over at Archive.org. But you're also more than welcome to watch it front-row-and-center at the YKFS blog. But bring your own popcorn, Sno-Caps and Jujubes, please.
8.24.2012
Kodak Moment (Take a picture, it'll last longer)
Dear diary blog,
It's 2AM and I'm perched at the keyboard finishing the most difficult essay that I have ever attempted to write.
This long-problematic piece was actually started nearly ten friggin' years ago. Because the subject matter was so close to heart, though, it was always difficult to retain objectivity about the proper direction and the quality of the actual work.
But tonight, after two days of just chipping away at it again (for the god-only-knows-how-many-eth time) I finally feel what I've always wanted to feel: that both the rhythm and wording are right, and that the whole is worth every bit of the seemingly endless effort.
Now, after nearly a decade of starts and stalls one would think that I'd managed to pen something equal in size to Plato's Apology. But it's only a 3,000-word essay–albeit one that shoehorns some 50,000 years of human history into a thoughtful and entertaining text.
That is partly what made it so damned difficult to write.
And it's also kinda personal too, but had to be made much less personal to make it work; letting go of the parts in which you have an emotional investment is probably the hardest part about writing.
For me it is, anyway.
Two years ago, one of my previously failed attempts to rework the essay in question resulted in the "Black East" piece that was published in Giant Robot magazine. That was my first published piece and is in many ways a pre-quel to this one.
Coincidentally (but there are no coincidences, right?), Runoko Rashidi contacted me a couple of weeks ago. The somewhat well known historian and lecturer asked if he could include the previously metioned piece in his new travelogue called African Star Over Asia.
When I finally find the words, I'll say something about just how...legitimizing the opportunity feels. Right now, though, all I can say is that it's an honor.
As to the title of my old-but-new essay – and it has had a number of 'em throughout its decade long gestation period – "Monster Islands" is the title that was settled upon in 2010 and it's still a perfect fit.
Oh, and diary blog, I just had a thought.
If I could take a picture right now of what I'd like my life to look like it would be something like the screenshot that I just captured. See it?
Click to enlarge
Well, at the center of the image is the current work-in-progress, which is essentially complete except for a lil' fine-tuning. On the top left side of the screen, the movie Monster From a Prehistoric Planet (aka Giant Beast Gappa) is playing with the volume turned down. And underneath the minimized media player screen is a map of Papua New Guinea, which – like the movie itself – is referenced in the essay.
Over there on the right side of the screen is an antique photograph of a young maiden from Papua New Guinea––something discovered during one of the Raiders of the Lost Ark-style research runs. Beneath that stunning portrait is an iTunes window that displays the song "Genocide" by the Reavers (featuring rappers Spiega, Billy Woods and Kong) as it plays with the volume turned down low.
When I open my eyes to dream, that screenshot offers a perfect example how I'd like my life to look. But in the vision, I actually make a good living doing what I love as both a writer and artist. And if not every single day, most of my work/play days would look like that.
Okay, the only deviation from what's captured in the image is that there would probably be two flat-screen monitors on my desktop––Oh, and the desk itself would be something new from Ikea.
As for tonight/today, though, I'm happy with what I've got, and happy with how my life looks.
One to grow on
Hey, kids! I would like to suggest that you not try the multiple applications thing without adult supervision. While it isn't exactly uncommon for yours truly to have multiple files open simultaneously, and iTunes also running in the background, it is not NOT common to also have a movie playing. But, due to the breakthrough that occurred with "Monster Islands," I rewarded myself with some extra (but still related) visual stimuli. Also, kids, if you do listen to music while reading, writing or doing math homework, it is always best to keep the volume turned down low, so as not to distract from the work.
And that's one to grow on!
And that's one to grow on!
–SP
8.23.2012
8.22.2012
The T.R.O.Y. Blog Presents Monsta Island Czars - Return to Monsta Island, Vols. 1 & 2
At the start of the summer, Dirt Doggy Dog and the crew over @ the T.R.O.Y. Blog brought heat to the interwebs with two beastly compilation mixtapes featurin' your favorite dai-kaiju inspired hip-hop crew and mine, Monsta Island Czars! That's right, true believers, because those underground favorites never got around to releasing a sequel to 2003's Escape From Monsta Island!, the mad scientists at T.R.O.Y. Industries™ bumrushed the lab and went completely Doctor Frankenstein. The result is two mixtapes that give a welcome fix to anyone who's been jonesin' for more MIC brand dopeness. Both of 'em have been in repeat rotation since I got 'em, and it seemed like a really good idea to share 'em here at YKFS Central.
Enjoy!
T.R.O.Y. Presents Return To Monsta Island Vol. 1
01. X-Ray – A Monsta (Intro)
02. King Geedorah – Fazers
03. Rodan – Ability to Speak (One Week)
04. Jet Jaguar – All Y’all
05. Spiega – Now That’s Sweet
06. Megalon – Revelations
07. Gigan – Live Wirez Remix
08. Kong – Use Me
09. Kamackeris (as Kwite Def) – All is Fair
10. Megalon (as Tommy Gun) – I’m Counting on You
11. Gigan – In Search Of
12. Jet Jaguar – The Way
13. Spiega – I Seen It All
14. King Geedorah – The Fine Print
15. Jet Jaguar – Stable
16. Kamackeris (as Kwite Def) – Khadijah 2008
17. Rodan – No Degrees
18. Megalon – Rain Blood
19. Gigan – Gunshots
20. Kamackeris – Untouchable
21. Kong & Spiega – True Believers
22. Megalon – When I Go Out
23. Rodan – Human Inquisition
24. X-Ray – Monstaball (Outro)
:::Download:::
T.R.O.Y. Presents Return To Monsta Island Vol. 2
1. Rodan- Century 21 ft. Megalon
2. Rodan- Roll Call ft. Kong, Kamackeris, & Gigan
3. Kong- Beast ft. Spiega
4. Kong- Die ft. Megalon, Egyptian Queen, King Ceasar, Loch Ness, & Spiega
5. Kong- War ft. 5th Element & Spiega
6. The Reavers- Genocide ft. Spiega, billy woods, & Kong
7. MF Grimm- Taken
8. Megalon- Yahkoo
9. Kamackeris- Kill Or Be Killed ft. Spiega, Rio, & Foul Language
10. Kong- Get Your Money Right
11. Kong- Lifted ft. Gabarah & Monsta X
12. Megalon- Keep It Street
13. Gigan- Outta Jail
14. MF Grimm- Dancin’
15. The Reavers- America ft. Spiega, Hasan Salaam, & Akir
16. Darc Mind- Spontaneous ft. Kamackeris
17. Rodan- Flight Lessons (Lyric Medley)
18. billy woods- Death From Above ft. Kong & Spiega
19. MF Grimm- The Original (DJ Fakts One Remix)
20. Kong- Red Tears ft. Spiega & Delilah
21. Rodan- Run The Sphere V. 2.3 ft. Kong, Loch Ness, Megalon, King Ceasar, Kamackeris, King Ghidra, & Jet Jaguar
22. MF Grimm- Voices (The Final Chapter)
:::Download:::
8.10.2012
Please deposit 'fiddy' cents
"If I ruled the world..." by way of royal edict I would order Capcom to produce a special edition Street Fighter arcade version that pulls double duty as a jukebox. That way, whenever players clanked a couple o' quarters into the slots of the Capcom vs. Wurlitzer Classic™, they'd get more bang for their half-a-buck by getting to pick out a def jam as well. And on those nights that I had my incredibly fetching female chauffeur drive me to the 24-hour laundromat to throw down against some hapless mark, the song "Chun Li" by Ryu Black (aka Ravage the MeccaGodzilla) would be my #1 draft pick. This infectious lil' posse cut was the first single from Ryu's 2011 album, Perfect 天, and features some stellar assists by Random (aka Mega Ran), Masia One and DJ Sarasa. On the infrequent occasions when I get Street Fighter on the brain (see previous post), I've simply gots'ta to hear this song. And though it has already been blogged about here before, just like the classic game that inspired it, "Chun Li" is always worth a replay. – SP
Ryu Black – Chun Li ft. Random, Masia One & DJ Sarasa
8.09.2012
Five hundred + hit combo!
A puny 98-pound weakling could have knocked me over with a pink feather boa when I figured out that the "Shaolin Break Dancing" post from a few months back had generated over 500 page views. Some of these YKFS postings are lucky to even break fifty (not really), but that piece generated hits like a Street Fighter™ combo on crack.
Even more remarkably, though, a few other postings generated well over 700 and 800 hits. Sha-zam!
The reason that this merits mention is 'cuz I told a buddy some months back that it was cool (for me) just knowin' that there are a couple dozen YKFS readers. Now, though, havin' seen the actual number of page views that some of these pulse-pounding postings have generated, I'm getting inspired with the desire to touch even more eyeballs.
As beautiful fate would have it, it was just over a year ago that I blogged about how if it nailed down, I'd be bringin' it – whatever it might happen to be – to Your Kung Fu Sucks. Gauging by the page views earned by some of these posts since then, methinks this lil' ol' blog has managed to 'level up' a tad.
So, this quick missive has been written to show my appreciation to the subscribers (all six o' you), the lurkers and the information superhighway passers-by. You're the reason that bloggers put fingers to keys. In the immortal words of Bartles & James: "Thank you for your support."
– SP
7.24.2012
American Autographitti
While attending the San Diego Comicon in 2009, I had the pleasure of meeting and speaking briefly with Jim Kelly, the co-star and star of the 1970s martial arts films, Black Belt Jones, Tattoo Connection and Enter the Dragon. The unexpected encounter would mark the high point of every single one of my visits to the San Diego Comicon.
As good fortune would have it, only months before meeting him, I had put together an unofficial Jim Kelly tribute page for Myspace; there were scores of Chuck Norris and Bruce Lee tribute pages at the time, but only one for Jim Kelly, and it was kinda' lame. When I made mention of the Myspace page during our brief chat, Jim was both flattered and appreciative.
Thinking of his own way to contribute something to the online altar, Jim asked if I'd brought along a camera. To my dismay and embarrassment, I'd somehow forgotten to bring it with me. Jim then asked if I was going to be at the con the next day and when I responded in the affirmative, he recommended that I come back with my camera so that we could snap a picture together.
As there is usually a monetary exchange involved with taking photos with celebrities at conventions, Jim was also quick to mention that the photographs would be a friendly, cashless transaction. He also advised that if I came back, he'd throw in one of the black and white 8x10 glossies that celebs traditionally bring along to sign for fans.
Despite his gracious offer, I was still kicking myself for bringing neither my camera that day, nor my sketchbook. (Personal note to self #1: Some effin' blogger you are!) Both had been left back at the apartment of my friends Storm and Kaz. Even more tragic, it had never even occurred to me to pack any copies of Kung Fu Grip! in my suitcase. The first issue actually has Jim on the cover! (Personal note to self #2: Some effin' zinester you are!)
Somehow, though, in the face of my dismay I remembered the back-up copy of David Choe's Cursive that I'd grabbed at the Giant Robot booth about 15 minutes earlier. As good fortune would have it, the book (mentioned in the recent Sony Boodo Khan™ Mixtape post) contained a page of Jim Kelly sketches that Dave had done for GR magazine! In case of an apocalypse, I asked Jim to sign that page for me.
"That's a good likeness," he enthused as he took a moment to study the sketches before placing his autograph in the bottom right corner.
Jim Kelly by David Choe
Handing the book back, Jim asked where I was from. Upon hearing the word "Chicago" in my response, his cheeks wrinkled up into a smile and he gushed, "Man, I've got stories about Chicago!" There were several fans waiting, though, and no time to go into those stories. But it seemed certain that those spine-tingling tales would probably have included Jim's infamous 1974 disappearing act.
An old article published in Black Belt (November, 1974) preserves a record of how Jim had been in Chi-town promoting the release of Three the Hard Way, the low-budget blockbuster co-starring Jim Brown and Fred Williamson. But the morning after his arrival, Kelly's agent would report to police that his client had gone missing in the night, and was seemingly the victim of a kidnapping.
Kelly, however, had not been abducted. On the contrary, it was the attention of the public that had been hoodwinked by an ill-advised promotional stunt. Much to the irritated relief of the Chicago police and the FBI, Jim would surface safe-and-sound in New York days later.
In the summer of the following year, Jim would make another appearance in Chicago. This time with Muhammad Ali at the city's annual Bud Billiken Parade. Surrounded by the smiling faces of cops and kids, Kelly and Ali lifted their mitts to one another in a mock street fight. Photos of the faux face-off would make the pages of Jet magazine.
It was a copy of that image taken in Chicago with Ali that Jim wanted to give me when I returned to his table the next day. He ruffled through his photograph binder, only to realize that no copies of that particular image had been included. As for me, I wasn't the least bit disappointed when he instead signed a copy of the Enter the Dragon promo in which actors John Saxon, Bolo Yeung and Bruce Lee could also be seen. And though I had never really been one for signed memorabilia, the autographed photo was one that I was more than happy to take for my studio wall.
Now three years later, for a number of reasons I have not yet made it back to the San Diego Comicon. But I've read on the interwebs and heard from various friends that Jim has been back every year sharing his stories and photographs with his fans.
Each year my friend Storm thoughtfully mails me a copy of the keepsake souvenir book, which keeps me abreast of some of the good things that I've been missing. And each year I flip through the book thinking: Maybe I'll get back out to San Diego next year...
Included with this year's book, which came in the mail today, were two related comicon publications. To my surprise, concealed between the pages of one of them was an 8x10 glossy. Contained within the photo's borders is that playful image of Jim Kelly standing hand-to-hand with Muhammad Ali on a street in Chicago.
Studying every inch of the photo, I wonder if my friend has a cool story to go along with it. And as I place the priceless treasure in one of the new picture frames that – as good fortune would have it – was just purchased days before, I quietly resolve to not let another year pass without making the pilgrimage to San Diego.
Thanks, gracias, xie xie and domo to Arashi-san.
7.23.2012
Thirty Fingers of Death fights back from the grave!
Submitted for your approval...
DJ Mane One - Thirty Fingers of Death Mixtape
01. Theme to Black Belt Jones - Dennis Coffey
02. Aragon - Roy Ayers
03. Enter The Dragon Theme - Lalo Schifrin
04. Si Me Ves Volar - Los Tios Queridos
05. Causeway - De Wolfe Music Librarie
06. Mystery Track
07. Mystery Track
08. Cookies - Brother Soul
09. Shaft In Africa - Johnny Pate
10. You Can't Even Walk To The Park - Johnny Pate
11. Brother On The Run - Johnny Pate
12. Alive and Well - Barry White
13. Jadoo - Passport
14. Mountain Mocha - Yellow Soul Force
15. God Put A Smile On Your Face - Mark Ronson
16. Funky Fanfare - Keith Mansfield
:::Download:::
7.11.2012
Ciphurphace will show you to your maker
James Ciphurphace is a hard-working hip-hop wordsmith whose rhymes often reflect back on that time when rap music was much less commercial, and rap artists seemed to place more emphasis on the 'art' portion of the title. Ciphurphace himself embodies this period on "How to MC," a heavenly Koncept Jones-produced track on the Arizona mic controller's ambitious sophomore album, Apply Within. Riding deep in the groove – seemingly in the spirit of Wu-Tang's GZA drivin' a topless Bentley down the autobahn – the "swAZian" microphone fiend from Tucson waxes metaphoric on the challenges of staying true to the art of meaningful rap music. For a no commitment test drive of Ciph's newly-released Apply Within, download "How to MC" and "Maker" for free-ninety-nine by clicking on the links below. – SP
Ciphurphace – How to MC
Ciphurphace – Maker
And for more information about the Ciphurphace album, Apply Within, click here.
Ollie-OX's "4 Deep in a Honda" video is a smash
Holy Honda Civic, Batman! The new video for the Ollie OX "4 Deep in a Honda" posse cut is a smash, both literally and figuratively! Directed by Jack Simpson, this fun 4-and-a-half-minute production features Ollie OX and label mates, C-Zar Van Gogh, Jake Palumbo and Ciphurphace all sardined in a 4-door import sedan on the long road to success. Also featured in the vid are six dozen crash test dummies, fifty tons of mangled car metal, four V for Vendetta Guy Fawkes face masks, one Naughty By Nature padlocked neck chain...and more imagination than you'll see in many videos made with big studio-backed budgets. So sit back, kiddies, buckle your cyber-seat belts, and let Ollie OX and his partners-in-rhyme show you how they roll.
And for more information about the Ollie OX album Dancing with Ammo, click here.
And for more information about the Ollie OX album Dancing with Ammo, click here.
7.04.2012
6.28.2012
The Man With the Iron Fists [Red Band Trailer]
In the tradition of Afro Samurai, Sukiyaki Western Django, The Warrior's Way, Bunraku, The Good, the Bad, the Weird, and other east-meets-west themed period pieces comes the RZA's long-awaited directorial debut, The Man With the Iron Fists. Written by RZA and Eli Roth (Hostel), and starring Russell Crow, Lucy Liu and Jamie Chung, the film is currently without an official theatrical release date, but the teaser poster and (red band) trailer has officially dropped, so YKFS blog readers are gettin' a sneak peek courtesy of IGN. Dig it.
6.27.2012
The Sony Boodo Khan™ Mixtape
Slow Jams by David Choe
Facebook bazillionaire David Choe is an artist who has often shared his deep love of music through his awe-infesting visual works. Slow Jams, one of his earliest and best-known zines, was named after the slang term for an R&B ballad. And in the pages of Cursiv, his 2003 sketch book, David dedicates two pulse-pounding pages to a dearly departed mixtape that was mangled beyond repair by a teething tape player.
Named the "Ultimate Jam," his crippled cassette showed the tastes of an eclectic 'selektah.' Scribbled on the folded Maxell insert are songs like "Just a Friend" by Biz Markie, "Glory Box" by Portishead, "Get in the Ring" by Guns-N-Roses, "Sabotage" by the Beastie Boys, "Porno Creep" by Korn, "Girl/Boy Song" by Aphex Twins, "Blue Flowers" by Doctor Octagon, and a few dozen other seemingly random tracks.
Collectively, the mismatched music on the cassette reflects the patchwork essence of the misfits from various cliques who get crammed together for Saturday detention in a John Hughes movie.
"It's either the dopest or worstest mixtape you've ever heard," scrawled the artist above his playlist, making himself correct either way in the process.
While working on the design for my pimp-a-licious new poetry zine (Distant God Meditation), I often found myself flippin' through Cursiv. Somethin' about its "unorthodox...but effective" visual kung-fu chi power helped to keep me in the zone. And though I dig every illustration in the book, two of those that spoke to me most at present were Dave's drawings of his mutilated tape (top) and a jam drawing done with his homies, Eskae and Rhode Montijo.
With my zine work finally done (and with an eclectic music mix in mind) I made an mp3 compilation mixtape inspired by the vibe of Distant God Meditation. Some of my picks –Talvin Singh's "Distant God" and Marvin Gaye's "Distant Lover," for example – were immediate influences. Others were chosen because I felt that they could offer allusions to the project in either nuanced or blatantly obvious ways. The finished product is my own debatable rendering of an "Ultimate Jam."
For the record, the Sony Boodo Khan™ Mixtape was made to be heard though headphones (hence the name Sony Boodo Khan™ Mixtape). And I am not talkin' about those omnipresent, porcelain-colored earbuds. (Viva, Steve Jobs!) I'm talking about cushiony, cocoons-over-your-ears-drowning-in-sound headphones. To feel the soul sonic force of this master mix, this is what it's gonna require:
head•phones |ˈhedˌfōnz|
plural noun
a pair of earphones typically joined by a band placed over the head, for listening to audio signals such as music or speech.
Headphones
And for those of you who somehow missed the British trip hop tsunami from which poured the down-tempo sounds of Massive Attack, Tricky, Portishead, Morcheeba, Statik Sound System, Hooverphonic and many others, the Sony Boodo Khan is a now-mythologized Walkman that was name-checked in two songs on Massive Attack's ground-obliterating album, Blue Lines.
Anywhoo, some of these track selections are gonna suck your earlobes. Others will sucker-punch you in the pancreas. And if you don't feel anything at all, then I feel sorry for you–because you simply have no soul. Okay, okay, maybe your soul just wasn't fed the 8 essential vitamins and minerals that every growin' ghost in the shell needs. So, prepare to be nourished now, kiddies, 'cuz this mixtape is on some futuristic-5th Element-Blade Runner-Fruity Pebbles shit.
So sayeth...
Riddem Selektah St. Paco
001. Long Island Wildin' – De La Soul
002. Lot More – Portishead
003. Christiansands – Tricky
004. King Ghidorah – Godzilla Sound Cues
005. OK – Talvin Singh
006. Tetsuwan Atom / Astroboy Theme (1966) – Kamitakada Shounen Gasshoudan
007. Blue Lines – Massive Attack
008. Readymade FM – Pizzicato Five
009. Baby Love Child – Pizzicato Five
010. Scientific Civilization (Skit) – Monsta Island Czars
011. Jellyfish ft. Cappadonna, Shawn Wigs & Trife Da God – Ghostface Killah
012. In The Hands Of The Gods ft. Biz Markie – Morcheeba
013. One In A Million – Aaliyah
014. Midnight In A Perfect World – DJ Shadow
015. Audiomaze – Tabla Beat Science
016. Addictive ft. Rakim – Truth Hurts
017. Paid In Full (Mini Madness) – Eric B. & Rakim
018. Five Man Army – Massive Attack
019. Distant God ft. Leone – Talvin Singh
020. Distant Lover – Marvin Gaye
021. Lover ft. Aya – Sweetback
022. Toh Kami Emi Tame - Kenji Kawaii
023. The Ballade of Puppets: In a New World, Gods Will Descend - Kenji Kawaii
Bootleg cover illustration: Rhode Montijo • David Choe • Eskae
:::Download:::
Note: Copies of Cursiv are still available at the Giant Robot shop. So while you're there gettin' yours, pick up a copy of Giant Robot #64, which features the mind-blowing "Black Asians" article by yours truly. There's also a Choe-related joint in that issue by my zine-making comrade Jason Jaworski, so cop it, yes?
6.26.2012
Elephunk
Distant God 1.0 (Hip-hop vs. Hindu Remix) by St. Paco (after Doze & Haze)
Limited edition inkjet print on genuine archival grade bamboo art paper
8" x 10"
Limited edition inkjet print on genuine archival grade bamboo art paper
8" x 10"
6.25.2012
Pixar's Austin Madison on inspiration
May 17, 2011
To whom it may inspire,
I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is the white-hot, "in the zone" seat-of-the pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time.
The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems.
In a word: PERSIST.
I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is the white-hot, "in the zone" seat-of-the pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time.
The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems.
In a word: PERSIST.
PERSIST on telling your story. PERSIST on reaching your audience. PERSIST on staying true to your vision. Remember what Peter Jackson said, "Pain is temporary. Film is forever." And he of all people should know.
So next time you hit writer's block, or your computer crashes and you lose an entire night's work because you didn't hit save (always hit save), just remember: you're never far from that next burst of divine creativity. Work through that 97% of murky abysmal mediocrity to get to that 3% which everyone will remember you for!
I guarantee you, the art will be well worth the work!
Your friend and mine,
Austin Madison
6.24.2012
Thinkin' of a master plan...
Taggers in the Temple by St. Paco
Limited edition inkjet art print on genuine archival grade bamboo art paper
8.5" x 11"
Limited edition inkjet art print on genuine archival grade bamboo art paper
8.5" x 11"
6.23.2012
Open letter to a homeboy: Just 'jeet kun do' it
About week ago, as I rifled through a nearly ten-year-old folder on my older Mac (the G4 Tower), I was reacquainted unexpectedly with a letter that I wrote to a friend in late autumn of 2003. Planted throughout this dated missive are the seeds from which Kung Fu Grip! zine and several other of my projects, perhaps even this blog, have flowered.
I'd like to think that I've become a slightly better writer since then–but this letter wasn't originally intended for mass consumption, either. So, I should prolly forgive myself for its faults. I mean, it's still a good enough read, methinks. Most private letters are, right?
I'd like to think that I've become a slightly better writer since then–but this letter wasn't originally intended for mass consumption, either. So, I should prolly forgive myself for its faults. I mean, it's still a good enough read, methinks. Most private letters are, right?
Submitted for your perusal, the Tao of Kung Fu Grip.
------------------------------------------------------------------------------------
November 14, 2003
[Name withheld]
I feel like a writer today and so I'm writing you this letter. It won't be very long, though. Just an 'arts & life' update.
My phone service was interrupted this past Monday due to non payment. Apparently, I misread the disconnection notice, thinking that the payment didn't have to be made until 11/23. I was only half right and the phone was temporarily disconnected; if not paid by 11/23 it will be completely disconnected.
Hmmmmm...another lemon. So, what did I do? I made some proverbial lemonade.
Firstly, I cleaned the apartment––something I had neglected to do for almost two months. Sure, I had done some spot cleaning to keep some semblance of order, but there were other things that needed to get done that just kept getting put off...until the phone service was interrupted, that is.
"Hello, my name is St. Paco and I am an internet addict..."
After my cleaning chores I got back to some of my research, rereading a lot of the stuff I've downloaded over the past few years and establishing connections on various points that had been hoverin' in the back of my mind for some time. I then drew up this timeline and spent more time looking into this largely unknown tradition in medieval Europe where religious icons of a black Christ began to appear around the 11th century and to flourish throughout the 15th century, when the Spanish began to colonize other parts of the world.
After a day or two of that, it occurred to me that my more...secular writings were being neglected (again). I figured that – if nothing else – I could maybe get one more issue of Third Rail zine out this year; I have about six or seven essays in varying phases, from rough ideas to nearly finished.
I then started working on the Upski Wimsatt short story again, that I want to have in the second issue of Third Rail. As it's now at ten pages in length (zine-sized) and almost complete, it'll significantly help to cut down on the amount of pages that I will ultimately need to fill. I'm thinking that it'll be 36 pages long, like the first issue.
And then there's this "Count Dante: Deadliest Man Alive" article that's been burnin' in the back of my brain since July.
It's funny how you take things for granted. For instance, I always just took for granted that Count Dante was from Chicago. But seeing his full-page ad again earlier this year in an old Fantastic Four issue that I was flippin' through really brought it home to me, that sense of wonder that not only comic books held for us growin' up, but the advertisements within–especially the old martial arts ads.
It probably goes without saying that I think that Dante's was the crown jewel of such advertising.
Now, the article idea actually came to me after, merely out of curiosity, I searched the web for more information on the guy and found it almost IMPOSSIBLE to get anything on him. He'd practically fallen off the map, it seemed. Ultimately, though, I would come to learn that he actually died back in 1975–which I'm sure I didn't forget and just never knew.
Afterward, it occurred to me then that since my zine was loosely about old school hip-hop perspectives filtered through my experiences growing up in Chicago, I should write about him. Nothing is as old school and identifiable as the Count Dante "Black Dragon Fighting Society" ads that our generation was exposed to by way of comic books. Well, save for the equally memorable full-page ads by Charles Atlas and the Hostess Company.
It probably goes without saying that I think that Dante's was the crown jewel of such advertising.
Now, the article idea actually came to me after, merely out of curiosity, I searched the web for more information on the guy and found it almost IMPOSSIBLE to get anything on him. He'd practically fallen off the map, it seemed. Ultimately, though, I would come to learn that he actually died back in 1975–which I'm sure I didn't forget and just never knew.
Afterward, it occurred to me then that since my zine was loosely about old school hip-hop perspectives filtered through my experiences growing up in Chicago, I should write about him. Nothing is as old school and identifiable as the Count Dante "Black Dragon Fighting Society" ads that our generation was exposed to by way of comic books. Well, save for the equally memorable full-page ads by Charles Atlas and the Hostess Company.
With the Dante article, I even get to sneak in my deep appreciation of Bruce Lee and old kung-fu flicks. At the same time, too, I also get to throw in relevant references to my other childhood hero Muhammad Ali (who owned a home in Chicago back then) and even Jim Kelly, through utilizing that memorable movie quote that you also planned to use your own movie one day:
"Man...you come right out of a comic book."
– Jim Kelly, Enter the Dragon (1973)
– Jim Kelly, Enter the Dragon (1973)
It seems that those handmade Black Dragon Society stickers that I gave you were only an early manifestation of the work on Dante that was still to come, which has now culminated in a biography on the man himself for Third Rail zine. Now that I'm nearly finished with it, though, I honestly think it's good enough to submit to Giant Robot or some other mag.
Yanno, it would also be PERFECT for the Raw Like Sushi zine that we talked about doing together. But gawd only knows when that project will grow it's proverbial other foot; it takes one foot to stand but two to walk.
Early this year, I had envisioned this "King Kong Versus Godzilla" article (based on one of the indigenous populations of the South Pacific islands) as my first commercial writing project, but KKVSG is still months away from completion. And now the Dante article – though originally conceived and researched back in July – was just started this week and will be done by the weekend. After a few more proofreads, it'll be ready for submission somewhere.
And, yo, while writing this article I almost felt like Tarantino did while working on Kill Bill. The night that it was started I had take a break to watch that Bruce Lee vs. Mako episode of The Green Hornet, cuz I was just so hyped–which brings me to a thought.
Stumped this afternoon as to how I should end the article, it occurred to me to pull out a magazine that I'd bought from Tower Records on Alma School & Southern back when I was still living in Mesa. Kung Fu Magazine had done this cool Bruce Lee retrospective issue to commemorate the 25th Anniversary of Enter the Dragon.
Well, as an inspirational distraction I opened the magazine and read again the interviews with Dan Inosanto, Taky Kimura, Bruce's brother Robert, and others. And something that was mentioned in an interview with Richard Bustillo, one of Bruce's old running buddies and sparring partners, really stuck with me. It also made me think of you.
It was Bruce's reiteration the ancient belief that the ultimate knowledge "is self-knowledge." This saying is virtually as old as human spirituality itself.
And then, as he confided how Bruce helped him to be really "honest" with himself, Bustillo reports that Bruce told him: "When you think you can do this or that...don't think...just do it! Either you have it or you don't. Don't just say things like, 'Yeah, I want to do this or I want to do that.' Just do it."
Bustillo says that those words, coming from Bruce, changed his outlook on life. Maybe you can get something out of them, too. But I don't mean by simply reading them in this letter and saying, "Oh, that's cool." Take them, write them down or...cut them from this letter! Tape them to your desk, wall or computer so that you see them everyday until you OWN them:
The way I see it, they're not just Bruce's words of advice to Bustillo. It's tried-and-true advice for you, for me, and for anyone else who dreams of doing something crazy...like changing the world. Sometimes the secret is so simple that we miss it:
Just do it, bro. Just Jeet Kun Do it.
Love,
St. Paco
6.22.2012
NOW SHOWING...
Your Kung Fu Sucks! Grindhouse Cinemas™ is proud to present the "lost" Bruce Lee interview from Canada's Pierre Berton Show (1971). As always, this video is available to you as a free MP4 download courtesy of the fine folks over at Archive.org. You're also welcome to watch it front-row-and-center at the YKFS blog.
Enjoy.
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