Showing posts with label Friends. Show all posts
Showing posts with label Friends. Show all posts

8.31.2016

DJ Darrell D's 'stylish' Crotona Park Jams recaps

The legendary Ken Swift (Rock Steady Crew) and DJ Darrell D
 
The homie DJ Darrell D made his annual pilgrimage to the Crotona Park Jams in NY, and once again rubbed shoulders with many of the old school legends and luminaries of hip-hop. But he did it while also rocking a couple of t-shirts made by yours truly, including the "Brown" mash-up pictured above. While many of the fellas at the jam were silently 'checking his fresh', he reports that an unexpected number of compliments actually came from the ladies. And when the godfather of hip-hop Kool DJ Herc saw the JB tribute, he loudly shouted out, "That's my man (JB)!" four or five times. Pret-ty dope, right? 

Anyway, to see who else Darrell D (and the Brown shirt) rubbed shoulders with, check out his killer recap of the 2016 Crotona Jams by clicking here (for part 1) and here (for part 2).

3.14.2014

Moonshine Burrito – The sweetest hangover

Remember those old candy commercials where the one klutz snacking on peanut butter always somehow managed to crash into the other klutz munching on a chocolate bar? And remember the happy expressions on their faces when each bit down to discover the new taste that came from the blending of those two very different flavors? Well, now picture a rap song with country music guitar licks mixed with a slow, pimp struttin’ hip-hop beat. On the surface that mixture sounds like a recipe for disaster, right? But, like peanut butter cups, it somehow works! And when laced with rhymes by Moonshine Burrito -- and a funky Kenny Rogers sample -- the end result is a full-fledged sugar rush. The guitar-twanging...banger in question, "Roads Are Rough (Holdin' Up)", is featured on South By Southwest, the new ten-track album from SpaceLAB Recordings label mates Jake Palumbo and Ciphurphace. Together these longtime pals combine to form Moonshine Burrito and, as the name probably suggests, the music made by this dynamic duo is all about unholy unions and unlikely combinations. For a finger-lickin’ taste test of South By Southwest, sample "Roads Are Rough (Holdin' Up)" and "Diesel (Feelin' Lovely)" for free-ninety-nine by clicking on the links below. And be sure to drop by iTunes, Amazon, GooglePlay or Bandcamp to get a full serving of South By Southwest. Woo-hah! – SP

Moonshine Burrito – Diesel (Feelin' Lovely)
Moonshine Burrito – Roads Are Rough (Holdin' Up)

8.12.2013

Mobile Mondays – DJ Darrell D Live in NYC


Two weeks ago, the homie Darrell D made another summer sojourn to NYC. As usual, he got a chance to rub shoulders with various legends of hip-hop at the park jams and elsewhere. Before breaking back to the Southwest desert, he brought the Arizona heat to the East Village as a guest deejay of Mobile Mondays at The Bowery Electric. Every Monday night, from 10PM to 4AM, Mobile Mondays unites local New York disc jockeys (Just Blaze, Misbehavior, Operatorz EMZ, Natasha Diggs, etc.) with visiting vinyl addicts from across the US and other parts of the groove-lovin' globe -- and they play strictly 45's all night. Now, I'm prolly a lil' biased, since Darrell D is my boy, but I've heard the MP3 of his time on the tables, and I think that he nearly burnt the Bowery down. You can hear (and judge) for yourself, though. Courtesy of The Bowery Electric, YKFS offers your lucky ears forty fiery minutes of funk, soul, hip-hop and Afrobeat grooves direct from Darrell D's Mobile Monday's set (click here)! To learn more about Mobile Mondays in NYC, click here.

DJ Darrell D & Mobile Mondays hostess, Gizmo

8.11.2013

Distant Brothers – The Thai Connection


"Words with no apparent meaning, 
a Hindi script graffiti,
sprayed upon temple walls 
that have long ago decayed."
– St. Paco



There are no coincidences.

Really, it was only a few days ago that, while scrolling through the contacts in my phone, I briefly reflected on brutha' Damon when his name quickly passed under my eyes. I hadn't been in touch with my Afro coiffed partner-in-crime for some time, so a mental post-it™ note was made reminding myself to reach out and learn what he's been up to as of late. Three days later, before I'd even had a chance to make good on my intention, an e-mail arrived to let me know that Damon had shared a photo with me on his Flickr feed.

Spotted within the body of that electronic note, placed just above the link that would guide me to the image, was the title of my previously released poetry zine, Distant God Meditation. "What does...this mean?" I wondered, as my finger clicked the mouse to activate the link. Damon, a fantastic photographer and fellow designer, had already sent a snapshot several months back, showing the zine on his coffee table; his creative way of saying that the contents of my unanticipated envelope had arrived in the mail.

My eyelids widened and my jaws separated after his newest photo-telegram had loaded. Framed within its borders was the remarkable sight of my kung-fu-brutha-from-anotha-mutha, sitting in some time-worn temple -- with his now very travel-worn copy of Distant God Meditation in hand. "Didn't he just get back from Hong Kong not too long ago?" I thought through a widening fog of amazement. "How the heck did he wind up in...Thailand?"

After enlarging the photo, my pupils pored over the image, as I was still partly in disbelief that he had actually gone to Southeast Asia -- and that he'd taken the zine along with him. But, as my eyes panned from the bottom of a suede and nylon mesh hiking shoe, seen at the bottom of the shot, to the very point of a stone spire elevated high above his chocolate-colored Afro, it quickly became clear that this was not the work of Photoshop. Someone had been on a airplane.

In the film Amelie, the father of the title character has one of those vintage-looking garden gnomes that stands on the front lawn of his middle-class home. Early on in the film, that white-bearded figure gets gnome-napped and within days, Amelie's father begins to receive mysterious envelopes in the mail. Each one contains a photograph of the ceramic ornament, taken in the various spots around the world to which it had, somehow, journeyed. Studying the photograph sent by Damon, I began to feel a little like Amelie's father must have felt.

Last year, when the making of Distant God Meditation had been finished, I'd also felt something else, something that I really hadn't felt with the other publications I'd produced. The feeling emanated from a recurring daydream that I had about of this particular zine. To me, it just kinda' seemed like something that a reader could take with them as a not-too-heavy distraction on their crosstown bus ride. Or, even better, while aboard a long flight to some far-flung destination.

I'm not completely sure now if that musing of mine had been mentioned to Damon. Whether it was or not, he still managed to do my imagination one better by taking that work into the discolored ruins of a 12th century Buddhist temple in Thailand.

To see the photograph that inspired this post, click here. To see more photos by Damon (aka Super 巧克力 Chocolateur), click here.

8.10.2012

Please deposit 'fiddy' cents


"If I ruled the world..." by way of royal edict I would order Capcom to produce a special edition Street Fighter arcade version that pulls double duty as a jukebox. That way, whenever players clanked a couple o' quarters into the slots of the Capcom vs. Wurlitzer Classic™, they'd get more bang for their half-a-buck by getting to pick out a def jam as well. And on those nights that I had my incredibly fetching female chauffeur drive me to the 24-hour laundromat to throw down against some hapless mark, the song "Chun Li" by Ryu Black (aka Ravage the MeccaGodzilla) would be my #1 draft pick. This infectious lil' posse cut was the first single from Ryu's 2011 album, Perfect 天, and features some stellar assists by Random (aka Mega Ran), Masia One and DJ Sarasa. On the infrequent occasions when I get Street Fighter on the brain (see previous post), I've simply gots'ta to hear this song. And though it has already been blogged about here before, just like the classic game that inspired it, "Chun Li" is always worth a replay. – SP

Ryu Black – Chun Li ft. Random, Masia One & DJ Sarasa

7.24.2012

American Autographitti


While attending the San Diego Comicon in 2009, I had the pleasure of meeting and speaking briefly with Jim Kelly, the co-star and star of the 1970s martial arts films, Black Belt Jones, Tattoo Connection and Enter the Dragon. The unexpected encounter would mark the high point of every single one of my visits to the San Diego Comicon.

As good fortune would have it, only months before meeting him, I had put together an unofficial Jim Kelly tribute page for Myspace; there were scores of Chuck Norris and Bruce Lee tribute pages at the time, but only one for Jim Kelly, and it was kinda' lame. When I made mention of the Myspace page during our brief chat, Jim was both flattered and appreciative.

Thinking of his own way to contribute something to the online altar, Jim asked if I'd brought along a camera. To my dismay and embarrassment, I'd somehow forgotten to bring it with me. Jim then asked if I was going to be at the con the next day and when I responded in the affirmative, he recommended that I come back with my camera so that we could snap a picture together.

As there is usually a monetary exchange involved with taking photos with celebrities at conventions, Jim was also quick to mention that the photographs would be a friendly, cashless transaction. He also advised that if I came back, he'd throw in one of the black and white 8x10 glossies that celebs traditionally bring along to sign for fans.

Despite his gracious offer, I was still kicking myself for bringing neither my camera that day, nor my sketchbook. (Personal note to self #1: Some effin' blogger you are!) Both had been left back at the apartment of my friends Storm and Kaz. Even more tragic, it had never even occurred to me to pack any copies of Kung Fu Grip! in my suitcase. The first issue actually has Jim on the cover! (Personal note to self #2: Some effin' zinester you are!)

Somehow, though, in the face of my dismay I remembered the back-up copy of David Choe's Cursive that I'd grabbed at the Giant Robot booth about 15 minutes earlier. As good fortune would have it, the book (mentioned in the recent Sony Boodo Khan™ Mixtape post) contained a page of Jim Kelly sketches that Dave had done for GR magazine! In case of an apocalypse, I asked Jim to sign that page for me.

"That's a good likeness," he enthused as he took a moment to study the sketches before placing his autograph in the bottom right corner.

Jim Kelly by David Choe

Handing the book back, Jim asked where I was from. Upon hearing the word "Chicago" in my response, his cheeks wrinkled up into a smile and he gushed, "Man, I've got stories about Chicago!" There were several fans waiting, though, and no time to go into those stories. But it seemed certain that those spine-tingling tales would probably have included Jim's infamous 1974 disappearing act.

An old article published in Black Belt (November, 1974) preserves a record of how Jim had been in Chi-town promoting the release of Three the Hard Way, the low-budget blockbuster co-starring Jim Brown and Fred Williamson. But the morning after his arrival, Kelly's agent would report to police that his client had gone missing in the night, and was seemingly the victim of a kidnapping.

Kelly, however, had not been abducted. On the contrary, it was the attention of the public that had been hoodwinked by an ill-advised promotional stunt. Much to the irritated relief of the Chicago police and the FBI, Jim would surface safe-and-sound in New York days later.

In the summer of the following year, Jim would make another appearance in Chicago. This time with Muhammad Ali at the city's annual Bud Billiken Parade. Surrounded by the smiling faces of cops and kids, Kelly and Ali lifted their mitts to one another in a mock street fight. Photos of the faux face-off would make the pages of Jet magazine.

It was a copy of that image taken in Chicago with Ali that Jim wanted to give me when I returned to his table the next day. He ruffled through his photograph binder, only to realize that no copies of that particular image had been included. As for me, I wasn't the least bit disappointed when he instead signed a copy of the Enter the Dragon promo in which actors John Saxon, Bolo Yeung and Bruce Lee could also be seen. And though I had never really been one for signed memorabilia, the autographed photo was one that I was more than happy to take for my studio wall.

Now three years later, for a number of reasons I have not yet made it back to the San Diego Comicon. But I've read on the interwebs and heard from various friends that Jim has been back every year sharing his stories and photographs with his fans. 

Each year my friend Storm thoughtfully mails me a copy of the keepsake souvenir book, which keeps me abreast of some of the good things that I've been missing. And each year I flip through the book thinking: Maybe I'll get back out to San Diego next year...

Included with this year's book, which came in the mail today, were two related comicon publications. To my surprise, concealed between the pages of one of them was an 8x10 glossy. Contained within the photo's borders is that playful image of Jim Kelly standing hand-to-hand with Muhammad Ali on a street in Chicago.

Studying every inch of the photo, I wonder if my friend has a cool story to go along with it. And as I place the priceless treasure in one of the new picture frames that – as good fortune would have it – was just purchased days before, I quietly resolve to not let another year pass without making the pilgrimage to San Diego.


Thanks, gracias, xie xie and domo to Arashi-san.

7.23.2012

Thirty Fingers of Death fights back from the grave!


The original link has been dead for a while. (Sorry!) So in light of the previous post, it really seemed like the right time to resurrect this super fly session from DJ Mane One's sorely-missed 30 Minute Mix podcast. Those of you who got this baby the first/last time around already know how bad-as-a-mutha it is. But if this is gonna be your first time downloading it, get ready to get your Campbell Lock, funky chicken, and kung-fu hustle on.

Submitted for your approval... 

DJ Mane One - Thirty Fingers of Death Mixtape 

01. Theme to Black Belt Jones - Dennis Coffey
02. Aragon - Roy Ayers
03. Enter The Dragon Theme - Lalo Schifrin
04. Si Me Ves Volar - Los Tios Queridos
05. Causeway - De Wolfe Music Librarie
06. Mystery Track
07. Mystery Track
08. Cookies - Brother Soul
09. Shaft In Africa - Johnny Pate
10. You Can't Even Walk To The Park - Johnny Pate
11. Brother On The Run - Johnny Pate
12. Alive and Well - Barry White
13. Jadoo - Passport
14. Mountain Mocha - Yellow Soul Force
15. God Put A Smile On Your Face - Mark Ronson
16. Funky Fanfare - Keith Mansfield


:::Download:::

7.11.2012

Ciphurphace will show you to your maker


James Ciphurphace is a hard-working hip-hop wordsmith whose rhymes often reflect back on that time when rap music was much less commercial, and rap artists seemed to place more emphasis on the 'art' portion of the title. Ciphurphace himself embodies this period on "How to MC," a heavenly Koncept Jones-produced track on the Arizona mic controller's ambitious sophomore album, Apply Within. Riding deep in the groove – seemingly in the spirit of Wu-Tang's GZA drivin' a topless Bentley down the autobahn – the "swAZian" microphone fiend from Tucson waxes metaphoric on the challenges of staying true to the art of meaningful rap music. For a no commitment test drive of Ciph's newly-released Apply Within, download "How to MC" and "Maker" for free-ninety-nine by clicking on the links below. – SP

Ciphurphace – How to MC
Ciphurphace – Maker

And for more information about the Ciphurphace album, Apply Within, click here.

Ollie-OX's "4 Deep in a Honda" video is a smash

Holy Honda Civic, Batman! The new video for the Ollie OX "4 Deep in a Honda" posse cut is a  smash, both literally and figuratively! Directed by Jack Simpson, this fun 4-and-a-half-minute production features Ollie OX and label mates, C-Zar Van Gogh, Jake Palumbo and Ciphurphace all sardined in a 4-door import sedan on the long road to success. Also featured in the vid are six dozen crash test dummies, fifty tons of mangled car metal, four V for Vendetta Guy Fawkes face masks, one Naughty By Nature padlocked neck chain...and more imagination than you'll see in many videos made with big studio-backed budgets. So sit back, kiddies, buckle your cyber-seat belts, and let Ollie OX and his partners-in-rhyme show you how they roll.



And for more information about the Ollie OX album Dancing with Ammo, click here.

7.04.2012

Maya Corazon 'hearts' headphones...

.... and headphones 'heart' Maya Corazon.   

Photo: Damon 
Model: Diana 
Source: Afrodisiac

6.23.2012

Open letter to a homeboy: Just 'jeet kun do' it

About week ago, as I rifled through a nearly ten-year-old folder on my older Mac (the G4 Tower), I was reacquainted unexpectedly with a letter that I wrote to a friend in late autumn of 2003. Planted throughout this dated missive are the seeds from which Kung Fu Grip! zine and several other of my projects, perhaps even this blog, have flowered.

I'd like to think that I've become a slightly better writer since then–but this letter wasn't originally intended for mass consumption, either. So, I should prolly forgive myself for its faults. I mean, it's still a good enough read, methinks. Most private letters are, right?

Submitted for your perusal, the Tao of Kung Fu Grip.

------------------------------------------------------------------------------------
 
November 14, 2003


[Name withheld]


I feel like a writer today and so I'm writing you this letter. It won't be very long, though. Just an 'arts & life' update.

My phone service was interrupted this past Monday due to non payment. Apparently, I misread the disconnection notice, thinking that the payment didn't have to be made until 11/23. I was only half right and the phone was temporarily disconnected; if not paid by 11/23 it will be completely disconnected.

Hmmmmm...another lemon. So, what did I do? I made some proverbial lemonade.

Firstly, I cleaned the apartment––something I had neglected to do for almost two months. Sure, I had done some spot cleaning to keep some semblance of order, but there were other things that needed to get done that just kept getting put off...until the phone service was interrupted, that is. 

"Hello, my name is St. Paco and I am an internet addict..."

After my cleaning chores I got back to some of my research, rereading a lot of the stuff I've downloaded over the past few years and establishing connections on various points that had been hoverin' in the back of my mind for some time. I then drew up this timeline and spent more time looking into this largely unknown tradition in medieval Europe where religious icons of a black Christ began to appear around the 11th century and to flourish throughout the 15th century, when the Spanish began to colonize other parts of the world. 

After a day or two of that, it occurred to me that my more...secular writings were being neglected (again). I figured that – if nothing else – I could maybe get one more issue of Third Rail zine out this year; I have about six or seven essays in varying phases, from rough ideas to nearly finished. 

I then started working on the Upski Wimsatt short story again, that I want to have in the second issue of Third Rail. As it's now at ten pages in length (zine-sized) and almost complete, it'll significantly help to cut down on the amount of pages that I will ultimately need to fill. I'm thinking that it'll be 36 pages long, like the first issue.

And then there's this "Count Dante: Deadliest Man Alive" article that's been burnin' in the back of my brain since July.


It's funny how you take things for granted. For instance, I always just took for granted that Count Dante was from Chicago. But seeing his full-page ad again earlier this year in an old Fantastic Four issue that I was flippin' through really brought it home to me, that sense of wonder that not only comic books held for us growin' up, but the advertisements within–especially the old martial arts ads.

It probably goes without saying that I think that Dante's was the crown jewel of such advertising.

Now, the article idea actually came to me after, merely out of curiosity, I searched the web for more information on the guy and found it almost IMPOSSIBLE to get anything on him. He'd practically fallen off the map, it seemed. Ultimately, though, I would come to learn that he actually died back in 1975–which I'm sure I didn't forget and just never knew.

Afterward, it occurred to me then that since my zine was loosely about old school hip-hop perspectives filtered through my experiences growing up in Chicago, I should write about him. Nothing is as old school and identifiable as the Count Dante "Black Dragon Fighting Society" ads that our generation was exposed to by way of comic books. Well, save for the equally memorable full-page ads by Charles Atlas and the Hostess Company. 


With the Dante article, I even get to sneak in my deep appreciation of Bruce Lee and old kung-fu flicks. At the same time, too, I also get to throw in relevant references to my other childhood hero Muhammad Ali (who owned a home in Chicago back then) and even Jim Kelly, through utilizing that memorable movie quote that you also planned to use your own movie one day: 

"Man...you come right out of a comic book."
– Jim Kelly, Enter the Dragon (1973)


It seems that those handmade Black Dragon Society stickers that I gave you were only an early manifestation of the work on Dante that was still to come, which has now culminated in a biography on the man himself for Third Rail zine. Now that I'm nearly finished with it, though, I honestly think it's good enough to submit to Giant Robot or some other mag.

Yanno, it would also be PERFECT for the Raw Like Sushi zine that we talked about doing together. But gawd only knows when that project will grow it's proverbial other foot; it takes one foot to stand but two to walk.

Early this year, I had envisioned this "King Kong Versus Godzilla" article (based on one of the indigenous populations of the South Pacific islands) as my first commercial writing project, but KKVSG is still months away from completion. And now the Dante article – though originally conceived and researched back in July – was just started this week and will be done by the weekend. After a few more proofreads, it'll be ready for submission somewhere.

And, yo, while writing this article I almost felt like Tarantino did while working on Kill Bill. The night that it was started I had take a break to watch that Bruce Lee vs. Mako episode of The Green Hornet, cuz I was just so hyped–which brings me to a thought.

Stumped this afternoon as to how I should end the article, it occurred to me to pull out a magazine that I'd bought from Tower Records on Alma School & Southern back when I was still living in Mesa. Kung Fu Magazine had done this cool Bruce Lee retrospective issue to commemorate the 25th Anniversary of Enter the Dragon.


Well, as an inspirational distraction I opened the magazine and read again the interviews with Dan Inosanto, Taky Kimura, Bruce's brother Robert, and others. And something that was mentioned in an interview with Richard Bustillo, one of Bruce's old running buddies and sparring partners, really stuck with me. It also made me think of you.

It was Bruce's reiteration the ancient belief that the ultimate knowledge "is self-knowledge." This saying is virtually as old as human spirituality itself.

And then, as he confided how Bruce helped him to be really "honest" with himself, Bustillo reports that Bruce told him: "When you think you can do this or that...don't think...just do it! Either you have it or you don't. Don't just say things like, 'Yeah, I want to do this or I want to do that.' Just do it."

Bustillo says that those words, coming from Bruce, changed his outlook on life. Maybe you can get something out of them, too. But I don't mean by simply reading them in this letter and saying, "Oh, that's cool." Take them, write them down or...cut them from this letter! Tape them to your desk, wall or computer so that you see them everyday until you OWN them:

Click to enlarge. 

The way I see it, they're not just Bruce's words of advice to Bustillo. It's tried-and-true advice for you, for me, and for anyone else who dreams of doing something crazy...like changing the world. Sometimes the secret is so simple that we miss it:

Just do it, bro. Just Jeet Kun Do it.

Love,

St. Paco


6.16.2012

Fist full of eyelashes


The photo that you see above is mucho months late to the YKFS blog, but it has been visible on my Flickr site since the day back in February when it was taken.

Casper, a stencil and block print artist in the Netherlands, wrote to offer in trade one of his canvases for a stack of my zines. The piece being offered at the time didn't really speak to me, but as I browsed through the other works that were posted to his Flickr space, a comic-inspired canvas that sampled John Byrne's cover art from Iron Fist #8 grabbed me by the eyelashes.

The piece that I'd immediately become interested in had already been traded to someone else, but I shot a note back to Casper asking if he would mind creating another one for me. A month later, live-and-direct from the Netherlands came a freshly customized canvas that I liked even more than the one that I had seen online. Best of all, it had a red background.

For the better part of a year, it has been a want of mine to decorate one of the walls in my studio with pieces produced by artist friends and acquaintances. Though the styles of art would vary widely, it seemed like a cool idea to see if I could create a sense of harmony amongst the differing styles on display by focusing on pieces that prominently incorporated the color red.

The color scheme, by the way, was dictated by pieces already positioned on the wall: an Afro Samurai poster signed by creator Bob Okazaki and a woodcut print made by my zine-making brother-in-arms, Kiyoshi Nakazawa (Drunken Master). Ink sketches like two that I own by David Choe and longtime friend Stormko, as well as black & white photos by soul-brother-from-another-mother Damon Daood would bring a monochromatic contrast to the redness.

Because I didn't want to impose on Casper's creativity in any way, I fought back the gnawing urge to request that his stencil work be somehow done with red. Still, without a single word the work came tailor-made to fit my wall. Great minds think alike, goes the popular proverb.

And although there are only five or six pieces in my collection now, as evidenced by the image posted up top, it is shaping up to be an eyelash grabbin' set.

6.15.2012

April Fool's Punk'd


In one of the posts that precedes this one, a cover scan of the Marvel Milestone Edition of Giant Size X-Men #1 that I recently picked up at the Phoenix comicon was shown. Well, that one was actually one of two copies of this highly-prized comic book that I (kinda' sorta') got recently. The copy pictured above came in the mail from an unexpected source.

My buddy Darrell D knows that Giant-Size X-Men #1 is one – if not the holy grail – of comic books that I dream of having in my collection someday. I was six years old when the book came out and I never did own an original copy. What's more, by the time it became important to me, as well as every other X-Men fan, it was already priced well above my pay grade.

During the second or third week of April, a large manilla envelope came to town with D's return address on its face. I had actually been expecting the arrival of his newest DVD (Red Beans & Rice Vol. 2––did I mention that St. Paco designed the cover?), but the envelope in my mailbox seemed a lil' on the anorexic side to be holding a DVD.

Pimp-struttin' back to my studio apartment, I headed over to the kitchenette and picked up a butter knife from the counter. I slowly sliced an opening from which to remove the mailer's mysterious contents. Turning the envelope upside down, out of the freshly opened slit slid a slightly odd-looking copy of...Giant-Size X-Men #1!? What...the...hell!?

Amongst friends, Darrell D is known for doing things for and giving gifts to his homies that they wouldn't expect. Still, knowing the price tag on this book, my first thought when gazing at the cover behind its protective plastic sleeve was: I haven't done anything to deserve this.

Now, since I ain't the type to jump around like I've won the lotto – even if I have – I didn't jump around like I'd won the lotto. Instead, I patiently peeled up the strip of tape found on the back of the protective sleeve and pinched the book free. As I gingerly flicked back the cover to behold its vintage contents my spidey-sense immediately began to tingle.

I actually own a few issues of Marvel's Giant-Size series and know from years of experience with 'em how a 68-page comic book feels, in terms of its thickness and weight. But the alleged X-Men comic I had in hand seemed really under-sized. That said, I wasn't completely thrown when the photocopied comic book cover was opened to reveal the trap that the dastardly Darrell D had set for yours truly.



Fucking hell. I knew that something was up...that something just wasn't right about the book. But he still got me, technically, and I laughed my ass off for a good five minutes. When I had regained my composure, I picked up the cellular and speed-dialed the culprit. As soon Darrell D heard my voice on the other end he began to belch out a nervous chuckle.

"Ya got me," I admitted, as my voice quickly tripped into a boisterous laugh that the pranker's own laugh quickly echoed.

"Ya got me."

4.10.2012

Still rockin' steady, baby


Somehow, I forgot to provide a follow-up to my posts last year about the Rock Steady mixtapes that I put up for auction on Ebay (read about 'em here and here). At the time, I mentioned that one of the cassettes had been purchased by a dude named Sahin in Germany who'd been on a quest to find a copy of the first of those cassettes for sixteen friggin' years. Well, the story of Sahin's quest and it's happy ending – thanks to yours truly – was detailed in an interview in the Fall/Winter edition of Backspin (issue #107), Germany's oldest hip-hop mag. Shown below is a fuzzy cameraphone shot of the two-page spread that was proudly posted to Sahin's Facebook page.

11.04.2011

Kiyoshi Nakazawa - Drunken Master



When I read over my interview with Dadá Mini before posting it to the web some weeks back, I winced when I got the question where Coco Muro asked for the names of some of the publications that were amongst my favorites. Though I remembered to give Giant Robot and some others a shout, I completely spaced on Kiyoshi Nakazawa's Drunken Master zine. It sucked too, because I know Kiyoshi and DM is really one of my favorite zines.

Well, to add insult to injury, Kiyoshi was interviewed last month by one of the guys at the Ain't It Cool News website. And when that intrepid interviewer asked Kiyoshi to name some of the zines that he enjoys, did Kiyoshi have the class to remember to mention Kung Fu Grip! amongst his favorites? Yep, he sure did.

As if I wasn't already beatin' myself up enough for forgetting to give Drunken Master a shout, I really started to feel bad when I considered the fact that Your Kung Fu Sucks! (the newish name of this blog) was directly inspired by Kiyoshi. I don't even know if he's aware that I bit/borrowed the slogan that he used on a t-shirt some years back. But, as the great Pablo Picasso once said, "Good artists copy, great artists steal."

Truthfully, for the first five or so minutes after re-naming the blog, I actually didn't remember that Kiyoshi had used it as a t-shirt slogan. But this is my chance to give credit where credit is due. B'sides, we all know that great minds do think alike, right?

Anyway, check out the interview, by visiting Ain't It Cool News. And if you decide that cha wanna add Drunken Master zine to your reading pile, visit Kiyoshi's Etsy shop and order copies of #11 and #12. (And check out my half-page ad in issue #12, which came out in time for the San Diego Comic Con this past July.)

I should prolly mention that after you read those two issues, you're gonna wanna order the others that are still available...whenever he remembers to update his stock, that is. And be warned, 'cuz Kiyoshi Nakazawa's kung-fu does NOT suck. In fact, the guy's a master.

8.20.2011

Graphic Design 102: "It's Like That"



My homeboy DJ Darrell D (of the previously mentioned Jamille Records) recently asked me to do some design work for his label. The first job was a fold-out cover for the special edition version of Two-Tone's "Time to Rhyme/Jazz It Up" 7-inch vinyl record; the full piece folds out to a 22" x 14.5" poster. And the second job was for a Jamille Records promo sticker.

As you can see, the record cover (above) features a vintage photograph of the Two-Tone crew taken with one of those cheap, portable camera's that most of us had back in the day. The duo never really had a logo, so I roughed out a few designs and went with the one that I thought best reflected a crew named "Two-Tone."

The fold-out poster concept was based on something that Darrell sent me which was originally used by a UK pop duo–who shall not be named. All I will say is that it was not Wham. Since I was basically working off of a previous work, I was able to take some shortcuts on the front, hence the clip art-style images in two frames.


The dollar sign in the bottom frame was inspired by the large gold charm dangling from the chain of D.E. Fresh. Continuing with the gold theme, I added gold lightning bolts to the radio antenna. The name of the crew was also added to the cassette, but I decided that a blank tape worked best.

The front side has six sections that measure out to 7.25" x 7.25" squares, and it was a bit of a challenge initially to get the layout balanced for the actual folding. When I printed a miniature proof version, though, it came out perfectly–and that's mainly because I am a genius on the DL.

With the exception of the front and back covers, the secondary point of a production like this is the poster itself. As you can see below, another vintage Two-Tone photograph was used here, but the final version has the name of the crew in gold near the bottom right corner.


With the much bigger job out of the way, I moved on to the sticker designs. I actually wound up designing five of 'em, but I'm only posting the two primary stickers here.



As is the case with many DJs, Run-D.M.C.'s Jam Master Jay means a lot to Darrell D. Because my client is also a friend, I know that Fat Albert is his all-time favorite cartoon character. So, I went with an idea that incorporates those elements, remixed with the Def Jam Records logo. (The black bar at the bottom hints at the Run-D.M.C. logo.)

Who wudda' thunk that Fat Albert would look so fresh in a fedora? ME, that's who.

Taking the previous sticker design one step backward, it was only natural to try something using the actual Run-D.M.C. logo. Yes, I know that there have been countless permutations of this "remix" over the years, but I wasn't going to let that stop me from doing one to see how it would look.



When the layout was done, I thought that the "Jam Rec" abbreviation worked out perfectly and went ahead with it as my secondary design. D actually loved it when he saw it, and I was glad that I didn't let the fact that it's already been done deter me from what I thought spoke to Darrell D as a hardcore fan of Jam Master Jay and the Hollis Crew.

8.02.2011

Jamille Records rocks the radio!



Jamille Records is a small independent label that specializes in limited edition 7" vinyl. The label was founded by my homeboy Darrell D to pay homage to the hip-hop music that was coming out of his beloved hometown of Milwaukee in the '80s and '90s. Two weeks ago, the Jamille label was given a 30-minute dedication set on Minnesota Public Radio's Redefinition Hour. Listeners of the show got a nice audio Polaroid of the fresh music that was being made in the beer capital of the world back in the day. The show starts off with a classic track by the Ill Chief Rockers ("I Got A Rock And I'm Gonna Hit You With It"), and continues with a great set of not only music, but really interesting Milwaukee hip-hop history. If you want to get a serious taste of some old school Midwestern flavor, just lick your chops and head over to Redefinition Radio by clicking here.

7.30.2011

A Shanghai Surprise!


It seems that I blogged a little too prematurely. The magazine that came in the mail today hadn't even been opened when the previous piece was quickly tapped out. Lurkin' within those innocent-lookin' pages was a skillfully orchestrated Shanghai surprise. Check out the rest!


Page 9


Page 11


Page 13


Page 15

Page 17

Page 19


Art sheet by the Grand Imperial DJ Mane One stuck between pages 26 & 27


Art sheet by Storm (pencils) & Drah (inks) stuck between pages 36 & 37


Art sheet by Drah stuck between pages 44 & 45



Page 52

Stuck between pages 76 & 77

Artists' tags on page 80


Oh...my...Godzilla. I was laughin' my @s$ off at every new surprise. My only wish is that I had been having a really bad day when I pulled this monster outta the mailbox, because it would have lifted me out of the dumps. Crazy shout outs to my homeboys Stormko, Mane One and Drah! You ninjas got me good. Many thanks, muchas gracias & domo arigato!!!!!!!!


A Personal Touch

Anime Insider ("Used & Abused" variant cover)

Only because I made it to the Phoenix-con this past May am I not crushed that – like hundreds of others – I didn't get a pass to attend the con in San Diego. One of my homeboys somehow scored a pass, and I considered asking him if he could send me one of the complimentary souvenir books. I didn't feel like being a bother, though, and let him go in peace.

Opening up the mailbox today, I was surprised to find an over-sized envelope from San Diego inside. Even without my asking, my homeboy still sent me a copy of the souvenir book. Best of all, he also included a mildly beat up copy of Anime Insider from 2009, which featured a cover story on Afro Samurai: Resurrection.

Written on the cover in white, gold and black paint marker is "Used & Abused #1." Admittedly, I chuckle every time I look at it. But I also find it amazing how a personal touch like that can turn a beat up magazine into something I'll treasure for days and maybe even years to come.

Thank you, Arashi.